A Quote by Ileana D'Cruz
If I'm going to get overshadowed in a film, it's because of something that I haven't done, not because of what the other heroine has done or because I've focused on the amount of scenes she had in the film.
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It's never the practice to shoot the scenes in the proper order. Sometimes you shoot the final scenes of a film before you've even started the beginning. So you get good at it because you have to sort of just eliminate the memories of something you've done as an actor, which you haven't done as the character yet. But it sometimes is a bit of a mind-f**k.
You can rely on your team to do their jobs, but you have to carry the torch and do anything you need to, not just to shoot and finish, but to get the film seen. You have to know within yourself that you're going to have to take this. Don't sit back and think other people in your team are going to make it happen now because you've done your part. You have to carry that torch, and no one is going to care as much as you do, and nobody is going to live with it as long as you are because it's your film.
The reason I live in America is because I mean literally every six or seven years I've done something in England. The last lead I had in an English film I did was 1998. So that's why I live here. It's because I get more work. I'll travel back for radio, you know what I mean. I've just got to consider myself to be living in the middle of the ocean, and that way I have a really nice career, if I'm prepared to do television, radio, theater, and film.
When I look at a film, I don't think, 'Oh, I wish I had done that' because I haven't done that role, so it doesn't matter.
When I switched to screenplays - 'cause I had done musicals and plays - the first assignment in film school was, you have to write a silent film. And it's tremendously helpful to learn how to do that because dialogue can be a crutch. If you can master a silent film, you're golden.
In a film like 'Kannathil Muthamittal,' I can't have a Rajnikanth or a Kamal Haasan. If you have a star, the expectation of the film is different. So, you cast according to the subject of the film. Some films are best done with stars because it gives you a base on which if you can get the correct performance, you can reach higher.
'This is Spinal Tap' was a film we felt really had to be done like that. It wouldn't have worked any other way. And it turned out to be the first time a fiction film had really been made in a documentary format. I continued to do that, obviously, because it's a fun way to work.
With Fever, the film was so made for the screen, and there's so much surround sound that was done for the film - enormous detail paid to that. I wasn't thinking video, because I didn't know how it was going to turn out.
I had never really done something that was more of a horror film, and its funny, because those are the kind of movies that I like probably more than any other genre. The script had images in it that I liked.
I would make a huge distinction between theater improvisation and film improvisation. There isn't much improvisation in film - there's virtually none. The people that theoretically could be good at this in a theater situation don't necessarily do this in a film in a way that will work, because it's much broader on a stage. But in a movie, it has to be real, and the characters have to look entirely real because it's being done as a faux documentary, so there are even fewer actors that can do that on film.
I've done a nude scene and I felt it was appropriate to the storyline and I thought it was done in a respectful way and I felt comfortable doing it. But there are obviously going to be scenarios - not necessarily in this job, but in other jobs to come - where the question will be posed to me 'Will I want to do nude scenes?' and I would have to consider that as its own thing. And not just something to say yes to because I have done so before. It really is circumstantial.
It's a matter of pride to me to get the film done fast, to get it done well. I understand the need for compromise. There is no such thing as a perfect shot, a perfect film. The purpose of film is not to make a monument to oneself.
I'm one of the guys who wants to watch the film completely done, with special effects, sound and music, because I tend to get disappointed if I watch it not fully done.
To let somebody get 30 points on you, and you feel good because you got 35 on them, that's not good for me, you know what I'm saying? If I get 35, I want him to get 12 or 14 because that means I've done something. I've done my job. I went out there and played hard and did what I had to do.
I made 'Batman' the way I made every other film, and I've done it to my own satisfaction - because the film, truly, is exactly the way I wanted it to be.
I will tell you that I'm a bit of a snob. I love film, and I would like to work in film, and I'm disappointed that indie film is as hard as it is to work in now. It's hard to get things done, but that sort of work is being done on TV. That's what I do; that's what I write. It's what I love, and hopefully, that's what my future's going to be.
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