A Quote by Ileana D'Cruz

You may look at us actors and think that, 'Oh my God, they are so pretty, so perfect.' But that's not how it is. It takes two hours to get ready and look like this. — © Ileana D'Cruz
You may look at us actors and think that, 'Oh my God, they are so pretty, so perfect.' But that's not how it is. It takes two hours to get ready and look like this.
I don't look at 'Deadpool' and think, 'Oh, that's a perfect movie.' I look at it and go, 'Oh, God, there's so much stuff I could do better.'
I think I look nicer now. It's really weird cause when you're 21 you think, "Oh God, when I'm 36, oh God, that's nearly 40, and I'll look really old and wrinkly by then". And actually I quite like the way I look. I feel OK about myself these days.
When you're 21, you think, 'Oh God, when I'm 36, oh God, that's nearly 40 and I'll look really old and wrinkly by then.' And actually, I quite like the way I look.
I have a crumble baby belly, boobs are worse for wear after two kids...I'm doing all right. I'm 33. I don't look in the mirror and go, "Oh, I look fantastic!". Of course I don't. Nobody is perfect. I just don't believe in perfection. But I do believe in saying, "This is who I am and look at me not being perfect!". I'm proud of that.
It's really weird 'cause when you're 21 you think, 'Oh God, when I'm 36, oh God, that's nearly 40, and I'll look really old and wrinkly by then.' And actually, I quite like the way I look.
Thank God my hair is always the same. And I get dressed very quickly. I am not one of those people who spend three hours getting dressed. I never understood that. What do you do for the two and a half hours after the half hour it takes you to get ready?
There is a strange pecking order among actors. Theatre actors look down on film actors, who look down on TV actors. Thank God for reality shows, or we wouldn't have anybody to look down on.
It's a form of violence, in the way that we look at women and how we expect them to look and be - for what sake? Not health, not survival, no enjoyment of life but just so you could look pretty. I'm constantly telling girls all the time, 'Everything's airbrushed, everything's retouched. None of us look like that.
Think about how long it took for the mountains to get there and look so beautiful. Think about how long it takes for this tree over us to grow. We're so impatient. Think about it. This leaf here took forever to become that perfect leaf. We're that. We're work in progress. That's actually being alive.
There are novels that end well, but in between there are human beings acting like human beings. And human beings are not perfect. All of the motives a human being may have, which are mixed, that's the novelists' materials. That's where they have to go. And a lot of that just isn't pretty. We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.
Theatre is organic, film is not. Theatre you come every day and you work with a group of people and you're are all up for it and you all get to do the whole thing every night, be it two hours or three hours. In film you work in two or three minute bits and it's never in chronological order and then someone takes that away and makes it look like it all happened, or that you gave that performance.
Other actors like to rehearse on film-they like 30 or 40 takes. When you get an actor like that, it becomes difficult for me because I'm ready to quit after number two.
Most of the things at the zoo don't look like us. We're one design that works. Our chimp pals sort of look like us, so that's a different take on the same basic design. But fish don't look like us, and giraffes don't. They look a little like us, but not too much. And insects certainly don't look like us, and they work just fine.
Some actors don't mind it. Those who are pretty. They think it's nice to be looked at because they are nice to look at. I appreciate that. I'm very happy to salute that aspiration. But I don't like the way I look so I don't like being photographed. I become defensive.
Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpful. I think it's a really helpful thing for a director to have experienced that. It helps you know how to talk to actors and how to get what you need from them.
We have to pay attention to one another, regardless of how someone may look or act, look again. Looking at people is like looking at art. I may look at a painting and dislike it because I don't understand it but then I'll look deeper and I'll see things better.
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