A Quote by Ileana D'Cruz
When I have actors flirting with me in acting, in my head, I am thinking, 'If I flirt back, I could definitely land a film with this guy. If I consider going to his house for drinks, considering he has invited me, I could definitely get a film with him.' But I just don't want to do that.
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Every single second of extra time to work with other actors has definitely always, for me, paid off for the film. For the project. Every single extra heartbeat you could get, mutually considering the scene, was of benefit.
There is one scene where he is kissing up my back. It is really sexy and I didn't know he was going to do it. He started doing it and in the film you see me saying, whew, and that wasn't acting, that was really me thinking, whew, oh my goodness Daniel Craig is kissing my back! I really did. I had to stop and remind myself that I was playing a character and I was acting in a film.
I'm definitely shy, so it was definitely acting for me to drop a trench coat and be in a bikini and try to get my cousins out of trouble by using my body. That was definitely acting.
Even after I had just done Twilight, which made $400 million at the worldwide box office, I could not get financing for three or four projects that I really loved and I thought people would love because they didn't fit some studio or investor's model of thinking, "This will definitely make money." It's a business and a film does potentially cost millions of dollars, and they have to think that they're going to get their money back somehow.
If I saw my friend's boyfriend flirting with someone else, I would definitely talk to him about what I saw. I would want to give him a chance to explain. However, depending on how major the flirting was, I would probably mention it to my friend - just to let her know what's going on.
I definitely have moments in my life where I discovered a film, and the language of the film itself spoke to me in a way, as if someone came up to you and started speaking a language you'd never heard but understood and was able to express things the language you knew could not.
I didn't know any successful actors in Kenya, so I felt like I could get away with going to college to study film more easily than I could with saying, 'I want to be an actor.' That's what I did.
I married him because he told me it was the only way he could protect me. If we were just manager and client, my family could do whatever they wanted to get me back, but if I was his wife, they couldn't.
I was a knight," Andrea said. "I'm not just going to start shooting every dickhead who mouths off to me." "Just making sure." "Besides, if I shot him, I'd do it so nobody could trace it back to me. I'd shoot him somewhere remote, his head would explode like a melon, and they would never find his body. He would just vanish.
I don't think I could make a good film, but I could definitely score a good film.
I think a lot of people go into filmmaking thinking, "How can I make a career?" And so when they make their first film, they make it thinking, "Well, this'll be the one that gets me to the place where I can make the second film the way I want to make it, and that'll get me to the place where I can make $100 million on the third film." And I thought, "Well, if I put sustainability at the bottom of my priority list, then what opportunities is that going to free me up to pursue?" And that's what I've always done.
I think my children are definitely musically inclined, and they show it, and they're exposed to a lot of it. And they're their own people, and I think easily they could do something musical, or they could do something in acting or film or other types of the arts, and I would fully support it.
When you're studying drama, when you're a young actor, there are simple rules about acting. "Why am I here? What prevents me from leaving? What am I trying to get? How do I hide something?" So when you're making a film like Abel's movie, you want to be thinking about those things all the time. And you wanna be armed with those things, and you hope the other actors you're working with have the same understanding of drama and scene and acting. Sometimes it works and sometimes it doesn't.
Let me put it this way: if I am the leading man of the film, and the film-maker is asking me to support him in a certain aspect so as not to burden the budget of the film, I will do whatever I can to support his vision.
I'm a cinephile. I love movies, I love film at every level. I'm a student of it. It informs me as does all art in my music, because there's stories, there's acts, there's moods, there's dynamics, there's moodiness, emotion. All of those things that play into a film. I think that could equally be said about music. It definitely informs me. Beats is stories.
See, if I was a filmmaker and I was putting my money in a film, I would definitely want actors who can bring the audience to the theatres, otherwise what is the point of it? Because I will be spending a lot of money on the film.
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