A Quote by Ileana D'Cruz
When people ask me to describe my journey in Hindi cinema post-'Barfi!' I actually don't know what to say.
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I know people know me as the 'white baddie' of Hindi cinema.
Post 'Chennai Express,' I got several offers from Hindi cinema, but nothing substantial came my way.
I remember breaking the news to both my parents that I wanted to be a director, and they both looked very doubtful. They didn't know what a closet Hindi film buff I was. I used to dance to old Hindi films songs on the sly, so my decision to be a part of Hindi cinema was shocking even for my parents.
There are quality films being made in all languages, whether in Hindi cinema, Bengali or the south. Bollywood doesn't represent Indian cinema, per say.
People know that I have a great love for cinema. Not just for commercial cinema, but for the “cinema d’auteur.” But to me, two of the great “auteurs” are actually actors and they both happen to be French. One is Alain Delon and the other is Jean-Paul Belmondo.
I do not want to be a part of Hindi cinema's rat race. But yes, if I get offers and characters which I feel would suit me as well as make some difference to me, I will do a Hindi film.
While Bollywood still remains my priority, I always wanted to do regional cinema. There are so many people who don't know Hindi, so I decided to do regional films wherein even those who don't know me can see my work.
I am very much a product of commercial cinema in Tollywood, and people ask me why I don't do masala films in Hindi. I am very eager to do them, but somehow I am perceived as a serious actress here.
There is nothing wrong with commercial cinema if it is made well. In fact, if you ask me, the Hindi film industry has also produced some truly outstanding works over the years.
I comment on my friends' things; whatever they post, I post funny posts. I don't post anything that's too sad or mad, or at least not for too long. And I'm usually just a happy person! Silly - people would describe me as silly and crazy and fun.
I don't know what to say to people. It's become so big. It's become part of the cultural environment. For the first and second Twiglight, I knew exactly what to say to people. If you don't know what the story is by now, then you've probably never been to the cinema before. How about, "Why not go to the cinema for once?" I don't know.
If people ask me to describe my look, I always say: 'Quite classic with an edge.'
Bachchan is the luckiest man on earth. No one knows the nuance of the Hindi language or can incorporate elements from stage on to the Hindi cinema the way he does.
We can't keep thinking in a limited way about what cinema is. We still don't know what cinema is. Maybe cinema could only really apply to the past or the first 100 years, when people actually went to a theater to see a film, you see?
I believe in cinema! Unfortunately, 90 per cent of Hindi cinema is non-cinema. Only marketing works here. Even the item songs in these films are an extension of marketing.
Being asked to describe what 'post-racial' means is a bit like being asked to describe a leprechaun, cold fusion or unicorns: we know what is meant, but, if we are willing to be honest, we also know that none of the four describe something real, something tangible, something true.
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