A Quote by Ileana D'Cruz
We actors get a lot of love, but at times, we get double the amount of negativity for no reason whatsoever.
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As actors we keep on hoping to get that one good role, but at times we have to go through a lot of trash to get there.
A lot of times, I relied on connections through my agency, just for financing and things like that. Even when I'm looking for a million and a half dollars to do a small film, there can always be hold-ups, because it's a large amount of money for some people, and it's a small amount of money for other people. In any case, it's significant enough to where you have to jump through a lot of hoops to get it to happen. Sometimes, the people who are helping you can drop the ball. And, of course, the reason agents want you to do bigger projects is that they make a bigger cut.
As a player that has played this game, I know, at the end of the day I've had numerous amount of surgeries, and the doctors released me at numerous amount of times to go and play. But a lot of those times didn't mean go and play against the best in the world right now, but to get yourself ready to compete again.
For me, a lot of these actors are new. For me, I only worked with Finn Whittrock and Michael Chiklis. So a lot of these actors are people I've been a huge fan of for years and are bucket-list actors for me to get to work with. It's pretty surreal now getting to step into scenes with them.You all get to find your characters together.
A lot of times black actors get stuck in a box. They're up against a lot of limitations for the kind of films that they get approached about. It's easy to get stuck in a box and just be approached about nothing but urban films.
I put a lot of time and effort into the exercise I get, the amount of rest and sleep I get, and the amount I eat. And I think those three things are really kind of my wellness and health foundation.
If you grow up poor you're always going to worry about money, no matter how successful or lucky you become. I'm not moaning about what actors get paid - I'm very, very lucky - but the difference between what leading actors get paid and supporting actors get is a lot.
I've obviously made a very nice amount of money. I have a very nice lifestyle. I get to do what I love. Very few actors get to do that, and even fewer are lucky enough to work steadily for 24 years.
It's easy to get bogged down in all the negativity that when you see people smile and pat you on the back and say, 'We're going to get through this,' it means a lot.
The least amount of info actors get, the better. Actors are always like, 'What is my motivation for this?' You didn't write it. Just say the lines.
God bless him, I mean a lot of times you get non-actors on a set and they get really self-conscious, especially when doing something crazy like singing along with Phil Collins. They get sort of reserved and self-conscious. Mike [Tyson] completely trusted Todd [Phillips] and totally put everything into it.
I feel like a lot of times when you get signed to an agent they just send you everywhere, so I still audition for a lot for voiceover stuff. I actually don't book a lot of it, and I love doing it so I get disappointed because I want to do more voice stuff.
I love actors. Part of that is my theater background and being a writer who cares about performance. Actors have usually chosen their profession because they have a dream of doing it and they want to express something about the world. That's the same thing that I have with writing. Most of the good actors get into it for those reason, rather than for reasons of fame or fortune, or anything like that, and that's where I'm coming from, as a storyteller.
I've matured a lot as a pitcher. I understand what my strengths are. I've learned that I've got a great sinker, I get a lot of ground balls, and it's easy to get a ground-ball double play.
With a lot of bigger corners, you can get an advantage on them by exploiting their agility. For example, you can run a lot of double moves where you get way down in your breaks. You can try to make the game more about the stop-and-start.
From my experience, I would say no: actors of East Asian descent don't get the opportunities white actors do. I know that's inherently a problem in a country that produces a lot of period drama, but I have to fight so hard to get parts that don't have something to do with China.
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