A Quote by Ileana D'Cruz

When you are working with actors who are secure, who have nothing really to prove, it gets a lot easier working with them. — © Ileana D'Cruz
When you are working with actors who are secure, who have nothing really to prove, it gets a lot easier working with them.
Working with the actors, working with production designers, working with the creative people who surround the process is really fun, it's really inspiring and I take great pleasure in working with them. That's what's most fun about directing.
Working with Sukumar was amazing. He's someone who trusts his actors and allows them to experiment with dialogues and scenes. When you're working with him, you learn a lot subconsciously, and that helped me in discovering the actor within.
The working standards on television in our country are really bad. The sad part is that many actors take this deal because it gets them money and recognition.
It makes it [work] a lot easier when you like what you do. It's easy when you're working and making money doing it. It's hard when you're not. That's when that gets challenged.
It's great to have people to bounce off and I love working with people my age. I think young actors have such energy about them and such a passion and a drive to do their best and prove themselves constantly, and to work with that is really fun and interesting.
When I got into the movie business, working with actors was the one thing I was really weak at. I didn't know what to say to actors. They scared me and intimidated me. The actors that I've worked with who have had a lot of experience, or who I've even grown up watching as a kid, were really scary. I was like, "What am I going to say to this person?" But, I've matured. It's fun. I understand what actors do now.
I definitely have had a couple of years where I've been working constantly, but it never goes away, that worry that you'll never work again. It's a funny job. It never gets easier. Rejection never gets easier.
I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.
It is hard sometimes to see how other actors are working when you are working with them.
I wasn't working much. So I focused on studying, and I really learned what it means to be an actor. And here I was on Jonny Quest,working with all these great people from back in the golden age of Hollywood, who came up doing radio. These were journeymen, working actors. It made me proud, and gave me some insight into what acting was really about if you weren't a star.
I had a really good time working with Jim Cameron. A lot of people didn't, but I did as I got on with him really quite well. For a director who spends most of his time looking down a lens or in the digitisation studio or working out some graphics, he is actually very good with actors.
It's a wonderful thing working with young actors. I know a lot of people don't like working with children. I actually adore it, because you watch their imagination open up and you watch them start to learn this job that I've been doing for so long. They come with such a lack of cynicism.
A lot of actors won't do things because they say it is boring when you are always working. A lot of them won't go on tour, a lot won't do pantomime. I think you should do everything.
You learn from the actors that you're working with. I've taken a lot from all of them.
The real tough thing is working with actors. I'm a designer and used to working with artists, so there is some familiarity with the personalities that come up, but actors are their own animal.
I want to prove that actors are good, not just at working in front of the camera.
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