A Quote by Iliza Shlesinger

I really respect my craft and obligation to my audience. — © Iliza Shlesinger
I really respect my craft and obligation to my audience.
I love what I do, and I love the audience, and I love the fact that I get to do it, and I love, I love our craft very, very, much, and it's a noble craft. We have a responsibility to it, and to the audience, and to the playwright, and to the message. I won't ever care less.
Sometimes you want things so bad you will kind of lower your standards, and I've learned that once you do that, it's really hard to go back, to get people to respect you and respect your craft.
Sure there's a difference with puppet-craft - who cares? I don't care about the puppet-craft, I care about what works. Who cares about the puppet and craft? It's not about that. It's about compelling an audience, and touching an audience in some way.
I only collaborate with the people I rock with in life, period. I rock with people where I really respect their craft and respect what they're doing. That's what collaboration should start from.
I am really inspired by writers, and weirdly - respect music journalists, which I think makes me the exception amongst most musicians. I think it's a craft. I think it's been really neglected - sadly. I think about the days of the great legendary rock critics. Who's going to become that when magazines and newspapers don't pay anyone properly or don't seem to respect the history or research that is required?
I have a huge amount of respect for all Japanese designers because I think there is consistency and respect to craft.
I thought we would have at most an audience of 5,000 devotees because I made the decision to stick to craft, not to gossip, not to be interested in any of the juicy stuff that they talk about on other shows, but stick to the question of craft.
When I'm in the audience of Broadway shows, I feel like I'm in the presence of something really special with artists working at the height of their craft and doing the best work that they possibly can.
It still amazes me how many musicians aren't really interested in engaging with their audience at all. Alfred Brendel, a pianist for whom I have the greatest respect, has described performance as a sacred communion between the artist and the composer. But what about the audience? Music is communication, a two-way street.
The person whose work introduced me to the craft was Lorraine Hansberry. The person who taught me to love the craft was Tennessee Williams. The person who really taught me the power of the craft was August Wilson, and the person who taught me the political heft of the craft was Arthur Miller.
I don't photograph for other people. I love an audience, mind you. Once I've got them there, then I love an audience. Not a big audience, though. I'd rather please ten people I respect than ten million I don't. But I don't play to an audience, I do it for myself.
A chef is a mixture maybe of artistry and craft. You have to learn the craft really to get there.
I'm really proud to have been in The Craft. I will always be that chick from The Craft, no matter what I do.
I like to really respect the audience and let them come through on answers.
I was returned to the Senate by the people of Alaska, and I have an obligation to all of them - it's not an obligation to my party; it's an obligation to Alaskans.
I just respect audiences to understand that that's what goes on in movies. I just try to make movies that respect the intelligence of the audience. Respect that they understand that the narrator is always unreliable and respect that they understand that the medium can do whatever it wants.
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