A Quote by Ilka Chase
Believe me, nothing is so calculated to lose you audience sympathy as too many tears. Move your listeners all you can but let them do the crying.
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The man who tries to be funny is lost. To lose one's naturalness is always to lose the sympathy of your audience.
Then I noticed that my shadow was crying too, shedding clear, sharp shadow tears. Have you ever seen the shadows of tears, Mr. Wind-Up Bird? They’re nothing like ordinary shadows. Nothing at all. They come here from some other, distant world, especially for our hearts. Or maybe not. It struck me then that the tears my shadow was shedding might be the real thing, and the tears that I was shedding were just shadows. You don’t get it, I’m sure, Mr. Wind-Up Bird. When a naked seventeen-year-old girl is shedding tears in the moonlight, anything can happen. It’s true.
It's not difficult to move forward when you have nothing to lose. Right? At the time, I had nothing to lose. So, even when people were trying to degrade me, I couldn't let them take the only thing I had, which was my dream. I had to move forward and, thank God, I kept trying.
I do not choose my listeners. What I mean is, I never write for my listeners. I think about my audience, but I am not writing for them. I have something to tell them, but the audience must also put a certain effort into it. But I never wrote for an audience and never will write for one, because you have to give the listener something and he has to make an effort in order to understand certain things.
There are all sorts of losses people suffer - from the small to the large. You can lose your keys, your glasses, your virginity. You can lose your head, you can lose your heart, you can lose your mind. You can relinquish your home to move into assisted living, or have a child move overseas, or see a spouse vanish into dementia. Loss is more than just death, and grief is the gray shape-shifter of emotion.
Only those who still have hope can benefit from tears. When they finish, they feel better. But to those without hope, whose anguish is basic and permanent, no good comes from crying. Nothing changes for them. They usually know this, but still can’t help crying.
I believe in things that move people, if the audience isn't deeply caught up and moved to either laughter or tears then I don't think it is theater.
Everyone knows that a movie is false. But if as filmmakers we give the audience too many reasons to lose the suspension of disbelief, I believe we're working our way down a hole.
Too many people who don't have anyone they care about. Who think if they don't love anyone else then they're free to do whatever they want. They think they have nothing to lose, and that makes them stronger. If you have nothing to lose, there's nothing you really want, either. You're full of confidence, and look down on people who lose things, who want things, who are happy, or sad sometimes. But that's not the way things are. And it's just not right.
There is a kind of crying I hope you have not experienced, and it is not just crying about something terrible that has happened, but a crying for all of the terrible things that have happened, not just to you but to everyone you know and to everyone you don’t know and even the people you don’t want to know, a crying that cannot be diluted by a brave deed or a kind word, but only by someone holding you as your shoulders shake and your tears run down your face.
Blaire, This teardrop represents many things. The tears I know you’ve shed over holding your mother’s piece of satin. The tears you’ve shed over each loss you’ve experienced. But it also represents the tears we’ve both shed as we’ve felt the little life inside you begin to move. The tears I’ve shed over the fact I’ve been given someone like you to love. I never imagined anyone like you Blaire. But every time I think about forever with you I’m humbled that you chose me. This is your something blue. I love you, Rush
Too many companies think they want to do a video blog to sell merchandise, but if you turn your site into QVC, you lose. I have an audience that trusts me. It's about building a global brand - not selling four more bottles of Pinot Grigio.
Well, besides being entertained, I’d like to move them emotionally. I mean I really want to uplift them. I want to look down at the audience, and this is personal experiences now I’m going to tell you. It’s like you look down at the audience and see people smiling, crying, hugging each other. I want them on their way home to feel empowered like they can do anything.
I don't go for holidays or celebrate my success because I know nothing is permanent. I don't let it get to me - like I am India's top director with too many hits. If that happens, I might lose the connect with my audience. The day I go wrong, they will run away from me. I want to be like an assistant director all my life.
Believe nothing on the faith of traditions, even though they have been held in honor for many generations and in diverse places. Do not believe a thing because many people speak of it. Do not believe on the faith of the sages of the past. Do not believe what you yourself have imagined, persuading yourself that a God inspires you. Believe nothing on the sole authority of your masters and priests. After examination, believe what you yourself have tested and found to be reasonable, and conform your conduct thereto.
It's not that you can do this calculated move to try to further your career. You just follow what's in your heart, and later you look back and go, 'I was either really dumb or really smart, I can't believe I did that.'
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