A Quote by Illeana Douglas
When I do a character, I try to base it on someone I have met or an experience I've had.
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When I find the character, I try to spend time with them and get to know them very well. Therefore my notes are not from the character that I had in my mind before, but are instead based on the people I've met in real life.
I LOVE YOU SO MANY REASONS ' --- Before i met you I spent a lot of time meeting all kinds of people i had a lot of fun and learned a lot Though each person I met had great characteristics something was missing No one person had all the qualities that I had hoped a person could have- someone whose every action and thought I could respect someone who was very intelligent yet could also be fun-loving someone who was sensitive, yet virile exciting and sensuous someone who knew what they wanted out of life. a beautiful person inside and out I could not find a person like this until i met you
Maybe I would have considered the problem if I'd met someone with whom I'd have liked to live. But I never met this someone and... No, even if I had met him, I'm sure I wouldn't have got married again. Why should I get married now that my life is so full? No, no, it's out of the question.
I never base a character on someone I know. You can get ideas from real life, but every character you write is some aspect of yourself.
There are always certain things that you tap into, your own personal experiences, and I try to base my characters on someone I know or someone I've seen.
I often draw from people in my own experience to base a character on, going back to my days with Mike Leigh.
Experience shows that those people who were selected to be a head coach in the NFL met with more success if they had had head-coaching experience.
The experience with 'The Knick' is a singular experience. That experience taught me a lot about acting and about being on camera for extended periods of time to try to create a character arc that travels.
There were many times in my initial days as a writer when I had felt the need to talk to someone, to leverage on someone's experience, to learn from someone who had written and published a book.
My husband once said he'd never met anybody who walked so fast and ran so slowly. As I said, it's a little hard for me to try new things, and this was me facing a fear that I'd had my whole life. Since I had no experience running, I felt like a failure before I'd even begun.
I had an unorthodox high-school experience; I shifted around to different schools. When I got to college and met Larry Sacharow, who ran the theatre department [at Fordham University in NYC], he was the first person to say ‘I believe in you.’ At that point, I just needed someone to say ‘I see you, I get you, let’s go.’ It’s an amazing thing to borrow someone else’s confidence in you; it can change your life.
As a child, as far as I was concerned, my dad had an amazing job, and we had all the money we needed. My life was so fun and carefree that I didn't realize at all that we weren't rich - until I met someone rich. Still, I've never met a rich kid who grew up as happy as I did.
Literary lineage is part of your autobiography. The authors are the literary base, the image base, the character base that you bring into your civilian work. Same with film, architecture, music, sports. That's one tributary of the autobiography.
It's so much easier to write for an actor than for an imaginary character and then try to fit that character to an actor. It doesn't work very often in my experience.
I have a lot of friends who are getting married. I try to avoid talking to them about their sex lives now 'cause it's so depressing. One guy told me it had been six months since he had gotten to second base with his wife. Yeah, I don't know which one was more pathetic: that he used the phrase 'second base' or that he hadn't been there in six months?
I suppose with any character that you play you always bring your personal experience to it. You always bring people that you know or that you've met and sort of - this is what I do, I mean, I don't know what anyone else does - but people that you know or that you've met that have affected you in certain ways, you bring into it.
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