A Quote by Illy
I write almost everything on my albums, all the hooks etc, but I can't sing them as I hear them in my head. I would struggle to write for just my own voice as it would be pretty limiting on what my tracks are capable of sounding like, so being open to collaboration is crucial for what I do.
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I would struggle to write for just my own voice as it would be pretty limiting on what my tracks are capable of sounding like, so being open to collaboration is crucial for what I do. The best thing is simple: just getting the finished version of a track that sounds incredible, from when it was just a melody in my head. Seeing that executed is sick. There's not really too much downside as I write by myself so I'm only sharing the part I'm comfortable sharing. It's all good.
With my first three albums I did everything on my own. It was what I was used to and where I felt comfortable. I would write the lyrics and music and hide the songs from everyone until I felt confident enough for anyone to hear them.
It would not occur to me to write a joke like, 'This would be great if I was more like Andrew Dice Clay.' It's not the voice I write in - which is largely an extension of the voice in my head that I think in.
I would write down the lyrics to 'C.R.E.A.M.' in Korean - not translating it, but phonetically writing out each word. I didn't know what they were saying, so I would just write everything down as I heard it. I would recite it and imitate it like that. That's how I started to write my own raps.
Now he would never write the things that he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them either. Maybe you could never write them, and that was why you put them off and delayed the starting. Well he would never know, now.
I have a voice that's obviously untrained - and I think untrainable - so I kind of secreted it away for a long time. Actually, I would write songs with lyrics when I was younger, but I would just sing in my head.
I want to literally quit drag and go live in the woods somewhere and write music for my favorite female singers, like Miley Cyrus or Kacey Musgraves. I would love to be able to write music for them and hear these women I admire sing my songs. That would be like doing drag without having to get into drag myself.
My favorite music to sing would be my own songs, my original songs, just because I know them, you know I write the tunes, so my favorite songs are the newest ones that I write. That's what I like to sing the most, because it means something, it's real, it comes from me.
Everything I have written up to now is trifling compared to that which I would like to write and would write with great pleasureEither I am a fool and a self-conceited person, or I am a being capable of becoming a good writer; I am displeased and bored with everything now being written, while everything in my head interests, moves, and excites me-whence I draw the conclusion that no one is doing what is needed, and I alone know the secret of how it should be done. In all likelihood everyone who writes thinks that. In fact, the devil himself will be brought to his knees by these questions.
I didn't learn how to read and write until pretty late, and it was this very mysterious, incredible thing, like driving, that I didn't get to do. And then I started writing things down on little scraps of paper and I would hide them. I would write the year on them and then I would stuff them in a drawer somewhere. But I didn't start to really read until about eight. I'm dyslexic, so it took a long time.
It's kind of like a challenge to myself to be able to hear somebody else's hook and kind of interpret the words. Because my own hooks, I already know what I mean when I write them.
Write like you write, like you can't help but write, and your voice will become yours and yours alone. It'll take time but it'll happen as long as you let it. Own your voice, for your voice is your own. Once you know where your voice lives, you no longer have to worry so much about being derivative.
Being critical of art is a way of showing art respect. No sports writer would say, "Well the Yankees had a great season this year." No food critic would get a bad meal and say, "Oh, it was so lovely." It always strikes me as odd when people say, "Why do you write negatively about any art?" I think that everybody has mixed feelings about everything - even Goya. I mean, I look at Rembrandt sometimes and I hear a voice in my head go, "It's pretty brown."
When I got in trouble, my mom would make me read or write - I would have to write my name over and over and over again. It gave me great penmanship, but I also just liked to write. Every time I would go to the store, I would buy a notebook. I had thousands of them.
But I love to write music. What I would love to do is give some of the songs I write to someone like Taylor Swift because I feel like she could sing them.
Right after high school... the first time I ever recorded music was with a rapper, a friend of mine, and I would just be like, 'I'll sing your choruses.' So I would sing his hooks and he would go in there and rap.
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