A Quote by Ilona Andrews
So. You refuse my money, you serve me thirty-year-old Highland Park scotch, and we've been in the same room for approximately five minutes, yet none of my bones are broken. This leads me to believe that your back is against the wall and you desperately need me for something. I'm dying to know what that is.
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I remember auditioning for record labels and having them tell me, 'Well, the country-radio demographic is the thirty-five-year-old female housewife. Give us a song that relates to the thirty-five-year-old female, and we'll talk.'
The truth is, part of me is every age. I’m a three-year-old, I’m a five-year-old, I’m a thirty-seven-year-old, I’m a fifty-year-old. I’ve been through all of them, and I know what it’s like. I delight in being a child when it’s appropriate to be a child. I delight in being a wise old man when it’s appropriate to be a wise old man. Think of all I can be! I am every age, up to my own.
Let me explain something to you - you have not been standing in front of thirty thousand decibals for thirty-five years - write me a note!
Generally, I don't want to do things. I feel lazy and unmotivated. It's only when an idea grabs hold of me and I can't get rid of it, when I try not to think about it and yet it's ambushing me all the time. I'm thrown up against a wall. The idea is saying to me, "You have to pay attention to me because I am going to be the future of your life for the next year or two or five." Then I submit. I get into it. It's something that becomes so necessary to me that I can't live without doing that project.
For me to go back and to play for audiences some of whom have been following me for thirty years and some who have found me in the last five or six years, that's really an interesting thing. I have an audience that goes from kids to seventy year olds.
The contract stuff just happens to be a coincidence to me. I always play every game as if my back is against the wall. That's always something that has been good to me since high school. A lot of people believe the grass is greener on the other side, but I'm not one of those people. It wouldn't be my choice to leave, but the Seahawks know that.
I've been riding the carousel in Central Park since I was five years old. If I'm very depressed or if something's bothering me today, my husband, Larry, and I go back to the park. We get on the carousel horse and we start riding, and I start singing at the top of my lungs. It is pure and absolute joy and happiness.
Every woman deserves a man that can make her heart forget that it was ever broken. Even if these have been broken to pieces to me,this represents a person who gave me a complete,flawless heart. I don't need someone who makes my heart whole. Instead, I need someone who will never let me feel broken. This is a good sign, having a broken heart. It means we have tried for something.
I took a straight picture that made me look like a thirty-year-old Italian who'd kill anybody who said something against his mother.
Look at me, he said to her. His arms and legs jerked. Look at me. You got your wish. I have learned how to love. And it’s a terrible thing. I’m broken. My heart is broken. Help me. The old woman turned and hobbled away. Come back, thought Edward. Fix me
Doctors tell me I have the body of a thirty year old. I know I have the brain of a fifteen year old. If you've got both, you can play baseball.
I have a deep-seated bias against hate and intolerance. I have a bias against racial and religious bigotry. I have a bias that leads me to believe in the essential goodness of my fellow man, which leads me to believe that no problem of human relations is ever insoluble.
Who and of what import were the men whose bones bulk the Great Wall, the thirty million Mao starved, or the thirty million children not yet five who die each year now? Why, they are the insignificant others, of course; living or dead, they are just some of the plentiful others...And you? To what end were we billions of oddballs born?
The other day my twelve-year-old says to me, I don't feel like I'm with you right now. You're in the car with me, you're checking your e-mail, you're not listening to me, I don't feel like I'm with you. And I say, You know what? That was your mother's gripe, too. And she was right. And you're also correct. When you cop to something, you get to the next level. In this case, the next level is: I just learned something from my twelve-year-old.
When you are five, you know your age down to the month. Even in your twenties, you know how old you are. I'm twenty-three you say, or maybe twenty-seven. But then in your thirties, something strange starts to happen. It is a mere hiccup at first, an instant of hesitation. How old are you? Oh, I'm--you start confidently, but then you stop. You were going to say thirty-three, but you are not. You're thirty-five. And then you're bothered, because you wonder if this is the beginning of the end. It is, of course, but it's decades before you admit it.
Most people tell you they want to get out of kindergarten, but don't believe them. Don't believe them! All they want you to do is to mend their broken toys. "Give me back my wife. Give me back my job. Give me back my money. Give me back my reputation, my success." This is what they want; they want their toys replaced. That's all. Even the best psychologist will tell you that, that people don't really want to be cured. What they want is relief; a cure is painful.
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