A Quote by Iman Shumpert
There's a lot of guys in the NBA that would hire stylists because they know they don't have their own sense of style and they need a little guidance.
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You see a whole bunch of different looks in the NBA. Guys, like LeBron, have stylists now, and they do their own thing. Then you have Russell Westbrook, whose style is a little different. Every guy is wearing outfits to show their personality.
Yeah, I was ready for the NBA. Because I went through a lot of things back overseas. And you know, playing professionally from a young age and then playing against the older guys - guys over 30; older, talented guys - was really tough, but it also helped my game grow and just get me ready for the NBA.
There's a lot of women now with a whole lot of style but they are not necessarily song stylists. Some of their style is a lot like me and a lot of people sound a lot alike - you can't tell them apart.
I think somebody like Wes [Anderson] has a very good sense of style and is original. I think my sense of style got a little bit better after I was exposed to you guys at Valentino. Because I'm just in Hawaii and Malibu; it's just kind of T-shirts and surfing-type stuff.
There's been a lot of coaches, a lot of guys at Stanford, a lot of guys at my high school. A lot of guys in the NBA. Bill Cartwright comes to mind, a lot of people I've learned from.
I've been friends with the guys in Radiohead for a lot of years, and I watch the way those guys work with incredible envy. Because whatever the slings and arrows of dealing with the record business, at the end of the day, they have total creative autonomy. They don't need a lot to do what they do, and Thom [Yorke] and Jonny [Greenwood] and the guys have their own joint in their hometown.
I definitely had to take a lot of direction from stylists and make up artists and hair stylists, because I'm very much more of a sweat pants and sneakers kind of girl.
Find a poet whose style you like, emulate that style, then deal with things that you know about - don't waste your time looking for your own style.' I wish I could remember who told me that, because I'd like to congraulate him. I've emulated all the old guys - Tennyson, Alexander Pope.
To be in a beast of a musical (I mean it's huge!) gave me a sense of I don't want to say "a sense of confidence" because you already have a sense of that to get out on stage. But I think I just have a better sense of myself. It was a learning process, I really had to conquer a lot of fears and my own little struggles. I feel a little self-empowered, like "bring it on!" Bring on the next thing because if I can conquer this, I can conquer that.
As a teenager, I read a lot of H.P. Lovecraft, so I wrote like H.P. Lovecraft. And in my 20s, I read a lot of Ross Macdonald and Raymond Chandler, so I wrote like those guys. But, little by little, you develop your own style.
For every LeBron James that jumps onto the scene, or every Derrick Rose that does really well in year one, you have a lot of others that take time to transition. Those guys are just brilliant in their own way, but a lot of other guys need a little help along the way.
To be honest with you, I literally don't even know how to style my hair unless I'm doing an event because I rely on hair stylists.
There are a lot of guys who play in the NBA. There aren't a lot of guys who have a chance to win a gold medal, too.
Hey, the Clippers are a good NBA basketball school. Helps out all the young guys who come into the league. It's not a fast team, not like a real NBA team. All the players have to worry about is improving on their own. You are there for your first few years. They teach you a little bit about the game, and then they let you go.
Wrestling isn't easy. It's like a car crash. I wish they would give guys a few weeks off. I think guys need to take mandatory time off. I know it's tough when they need to promote the key names, but they need to keep guys healthy.
We used to rehearse and that's where the roots of Dream Theater formed. Y'know, we used to play cover songs and jam to [Iron] Maiden and stuff but we were writing songs and it was this metal, loud style and we'd constantly get knocks on our door, because the rehearsal rooms were right next door to each other, and these jazz guys would be like, "Can you guys turn it down a little?"
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