A Quote by Iman Shumpert

I need music all the time - just to get my vibe where I want it. — © Iman Shumpert
I need music all the time - just to get my vibe where I want it.
I would never get into the music industry per se, but listening to music really helps me to concentrate. It's just a nice way for me to vibe and chill. There's music for when you're sad or happy or in love; there's music for every moment in life.
I'm just trying to make music everybody can get happy to and vibe to and turn up to. So long as I keep making good music, everything's going to be OK.
I want to create music that you can just vibe to. Put in your car and just you know like you roll all the windows up and you're like dancing and you just don't know why you're dancing but the music just makes you move.
I don't want to kick people in the face with my music, I'm just vibing. It's a very cool vibe.
I always liked making the 'vibe music' more 'cause I feel like you can get more creative on it. Memphis is for sure like the grimey. In my hype music, the Memphis comes out of me - but when I try to vibe, I feel the Caribbean culture come out.
A big part of making a good record is really getting a vibe, and a vibe is a mysterious thing. The vibe kind of exists in the air in the room. It's not just all the stuff you put on there, and the specific notes and arrangements and all that. That's like half of it. The other half is just the air, and just the spirit.
I kind of just want to get to know people and I have a genuine interest in people that listen to my music. I've just always felt like that. I think it's from the days of playing guitar to a few people and being very conversational and very intimate and I've always wanted to keep that vibe.
When I was in New York, the whole vibe was really just not matching with me. I was kind of super depressed in New York. It just had this vibe of 'Get out,' you know? I would try to get out, and we'd look back and just see the city and feel like, 'Oh, I have to go back to prison again.'
Obviously I want my music on the radio and I want my record to do well, but I also have a totally different career, so a lot of people who are in music are just in music and can dedicate all their time to that and I can't do that, so I really want to have both things and I'm just trying to figure out how.
We just met for the first time and David Byrne was like, "Hey, you want to sing on this song?" and I was like, "Yes, I do want to sing on that song." He's the most legendary dude but I wasn't thinking about how he was a legend when rehearsing. I was just thinking, "Wow, this guy really knows what he wants in his music." And that ended up being the vibe, like "Oh, you wanna try that?" "Yeah, that sounds great!"
If you're in a bar and a certain song comes on and the vibe is just different, it evokes the kinds of things that you want to feel, and if music can do that it's a very special thing.
Nas is one of my favorite rappers because you don't get any of that flashy stuntin'; you get the real, just raw bars. The way he tells stories and his vibe, I think we would make great music together.
Our sons are the next generation who are more clued into the new trends of music. So if I want to understand the vibe of the new generation, and if I want to stay relevant with time, they are my source of learning.
I want to make the music that people remember, and it doesn't need a trend; it doesn't need to be constantly hyped. There's no time period for it. That's the type of music I want to make.
I think that some of the best Crowes stuff we did had that spontaneous vibe. Thats something thats always interested me in music. Im not really the kind of person to get too bogged down in the details. I think that takes away from the emotion and the vibe of what youre doing.
I need a hobby, and I don't want it to be basketball. I want it to be music. So to get away from music, I do other music.
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