A Quote by Imelda Staunton

Drama school introduced me to a world I had no idea about. I wasn't brought up in a literary household at all. — © Imelda Staunton
Drama school introduced me to a world I had no idea about. I wasn't brought up in a literary household at all.
There is a lot of hype about drama school, I think. If you're an actor in England, that's just the way to get into it but I've been so incredibly lucky in that I was brought up in to it. I still might go to drama school, if I wanted to do theater work, definitely. It's a completely different type of training.
I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.
My parents brought us up in a very clever way, which was that they saw what we were interested in naturally, and then they encouraged whatever that may be. When I started sharing a keen interest in drama and the theater, instead of steering me away from it, they encouraged me to see plays and think about drama school.
I always loved drama at school. We had a great drama teacher at my secondary school, and she made drama feel cool. She inspired me, and then I did the National Youth Theatre in London.
That was a bizarre and unlikely event, which has misled a generation of drama students from my old drama school that dreams really do come true. I was an unemployed actor. I had been an actor for about eight years, and had worked in theater, and done a tiny bit of TV, and somehow an audition video of mine ended up on Kevin Costner's television screen, and he rang me up and invited me to fly first-class to Hollywood and be in his movie The Postman.
I had a complicated life until I was 25. I was born in Bristol and was brought up by my mum and my stepfather in Edinburgh. He introduced me to books.
I was about 14 when I started with a theater group; it was like a stage group on the weekends alongside school. And it was run by a group of guys who'd been to drama school themselves in London. So they introduced us to techniques that they'd learn about, and they kind of informed us about improvisation and screenwriting and all of that stuff.
I was brought up in an Orthodox Jewish household. I don't think I ever had a single discussion with my parents about faith. It was just something gently imposed.
I grew up in a household that was a labor household. My dad was a Teamster and a milk truck driver. My mother was a secretary. Neither of them got through high school. But they worked hard and they gave me very, very important opportunities to go to school, get a good education.
I never went to drama school, but I was really lucky in that both my junior school and secondary school had brilliant drama departments.
For me, it's about the way I carry myself and the way I treat other people. My relationship and how I feel about God and what He does for me, is something deeply personal. It's where I came from, my family, I was brought up in a religious household and that's very important to me.
I don't care about being a literary personality - that doesn't appeal to me, especially because the literary world doesn't appeal to me. I actually don't feel like I even belong in it. If this was high school, I would be sitting with the Goths, looking at everyone, being like, 'Whatever.'
Besides acting, I had learnt a lot about entertainment at the Bhartendu Natya Academy, Lucknow and the National School of Drama, Delhi, which I had not been able to put to use. That inspired me to take up direction.
I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.
I woke up to the world of science when my high school chemistry teacher introduced me to the elegantly ordered periodic table.
I applied to drama school when I was about 18 and didn't have any luck anywhere. They basically turned me away and said I had a bit of growing up to do. I went back to Aberystwyth and did my growing up by spending eight months working in Peacocks.
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