A Quote by Immanuel Kant

There is something splendid about innocence; but what is bad about it, in turn, is that it cannot protect itself very well and is easily seduced. — © Immanuel Kant
There is something splendid about innocence; but what is bad about it, in turn, is that it cannot protect itself very well and is easily seduced.
Well, very splendid and very frightening. But splendid things are often frightening. Sometimes, it's the fright that makes them splendid at all.
I can sing very comfortably from my vantage point because a lot of the music was about a loss of innocence, there's innocence contained in you but there's also innocence in the process of being lost.
Poets seem to write more easily about love than prose writers. For a start, they own that flexible ‘I’…. Then again, poets seem able to turn bad love – selfish, shitty love – into good love poetry. Prose writers lack this power of admirable, dishonest transformation. We can only turn bad love into prose about bad love. So we are envious (and slightly distrustful) when poets talk to us of love.
You gotta not care about what people think in general about you. I'm not talking about bad stuff, if you're a nasty person, because I don't consider myself a mean person, I consider that I know what i want and I'm tough. But I'm very emotional and un-tough on a lot of levels, I cry very easily, I'm sensitive and I don't think that's a bad thing.
If you think about it, in the most dramatic moments of its history Europe has always turned to philosophy and, in turn, philosophy has interrogated itself about the destiny of Europe as something that touches its very essence.
It is more important that innocence be protected than it is that guilt be punished, for guilt and crimes are so frequent in this world that they cannot all be punished. But if innocence itself is brought to the bar and condemned, perhaps to die, then the citizen will say, "whether I do good or whether I do evil is immaterial, for innocence itself is no protection," and if such an idea as that were to take hold in the mind of the citizen that would be the end of security whatsoever.
Innocence is indeed a glorious thing; but, unfortunately, it does not keep very well and is easily led astray.
People constantly complain to me about news coverage of criminal cases. 'What happened to the presumption of innocence?' they ask at almost every turn. Well, I'm tired of it.
There is no kind of idleness by which we are so easily seduced as that which dignifies itself by the appearance of business.
I directed and produced Conviction, a movie about a man who spent 18 years in prison for a crime he didn't commit. I got to know Innocence Project co-founder Barry Scheck very well - he's a character in the movie - and I got very passionate about the cause. It's just so inherently dramatic.
If you think about it, just the psychology of the superhero is, 'Because I can, I should protect people, and I should put bad guys away, and I should defend society.' But you're forming your own justice. There's no judge and jury here: you are it. That, in and of itself, is a very complicated way of looking at morality.
There is no idleness, by which we are so easily seduced, as that which dignifies itself by the appearance of business, and by making the loiterer imagine that he has something to do which must not be neglected, keeps him in perpetual agitation, and hurries him rapidly from place to place.
Think about old people; think about young people, those with immune system problems. They can't really protect themselves well against the flu, so by you limiting the spread of the flu and getting vaccinated, you're helping protect them as well.
When a man's partner is killed he's supposed to do something about it. It doesn't make any difference what you thought of him. He was your partner and you're supposed to do something about it. Then it happens we were in the detective business. Well, when one of your organization gets killed it's bad business to let the killer get away with it. It's bad all around-bad for that one organization, bad for every detective everywhere. Sam Spade
Speaking of [Philip] Larkin, in his poem about the First World War he wrote something like, "Never such innocence, before or since, that turned itself to past without a word".
One thing that's nice about writing a book about food is - unless it's from a specific place - you can revisit things easily by preparing the dish. The sensory detail that comes from interacting with that is something that can be recreated pretty easily.
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