A Quote by Immanuel Kant

For how is it possible, says that acute man, that when a concept is given me, I can go beyond it and connect with it another which is not contained in it, in such a manner as if that latter necessarily belonged to the former?
The difference between a man who is led by opinion or emotion and one who is led by reason. The former, whether he will or not, performs things of which he is entirely ignorant; the latter is subordinate to no one, and only does those things which he knows to be of primary importance in his life, and which on that account he desires the most; and therefore I call the former a slave, but the latter free.
For when is death not within our selves? And as Heracleitus says: “Living and dead are the same, and so are awake and asleep, young and old. The former when shifted are the latter, and again the latter when shifted are the former."
Social science and humanities ... have a mutual contempt for one another, the former looking down on the latter as unscientific, the latter regarding the former as philistine. ... The difference comes down to the fact that social science really wants to be predictive, meaning that man is predictable, while the humanities say that he is not.
The only distinction between freedom and slavery consists in this: In the former state a man is governed by the laws to which he has given his consent, either in person or by his representative; in the latter, he is governed by the will of another. In the one case, his life and property are his own; in the other, they depend upon the pleasure of his master. It is easy to discern which of these two states is preferable.
The difference between a man who faces death for the sake of an idea and an imitator who goes in search of martyrdom is that whilst the former expresses his idea most fully in death it is the strange feeling of bitterness which comes from failure that the latter really enjoys; the former rejoices in his victory, the latter in his suffering.
What is the cause that one is hardened, and another readily moved to compunction? Listen! It springs from the will, in the latter case a good will, in the former an evil one. It springs also from the thoughts, in the former case evil thoughts, in the latter from the opposite; and similarly from actions, in the former case actions contrary to God, in the latter godly ones... it is by free choice of the will that every person either attains compunction and humility, or else becomes hard-hearted and proud.
Socialism and federalism are necessarily political opposites, because the former demands that centralized concentration of power which the latter by definition denies.
If mythic violence is lawmaking, divine violence is law-?destroying; if the former sets boundaries, the latter boundlessly destroys them; if mythic violence brings at once guilt and retribution, divine power only expiates; if the former threatens, the latter strikes; if the former is bloody, the latter is lethal without spilling blood
Don’t knock on any random door like a beggar. Reach your long hand out to another door, beyond where you go on the street, the street where everyone says, "How are you?" and no one says How aren’t you?
If it were possible to make an accurate calculation of the evils which police regulations occasion, and of those which they prevent, the number of the former would, in all cases, exceed that of the latter.
The difference between a simpleton and an intelligent man, according to the man who is convinced that he is of the latter category, is that the former wholeheartedly accepts all things that he sees and hears while the latter never admits anything except after a most searching scrutiny. He imagines his intelligence to be a sieve of closely woven mesh through which nothing but the finest can pass.
There is a cunning which we in England call "the turning of the cat" in the pan; which is, when that which a man says to another, he says it as if another had said it to him.
All paintings start with concept, which is another word for image or imagination. The mistake is to isolate the concept as if the idea did not need to be given permanent form.
Whatever people may say, the fastidious formal manner of the upper classes is preferable to the slovenly easygoing behaviour of the common middle class. In moments of crisis, the former know how to act, the latter become uncouth brutes.
The difference between talent and genius is this: while the former usually develops some special branch of our faculties, the latter commands them all. When the former is combined with tact, it is often more than a match for the latter.
For me, I just like to be as fun as possible, but I do like to bring a lot to a character. Given the script or the show, I know my boundaries, limits, and how far I can go with it. As far as me choosing these characters that have a lot of personality, I don't necessarily think it's intentional. I just think that I try and come up with a backstory of who they are, depending on the script or how rounded these characters are, and just go from there.
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