A Quote by Imogen Cunningham
I became kind of a drop-out in science after I came back to America. I wanted to photograph.
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You see, I became kind of a drop-out in science after I came back to America.
I started Softbank in 1981, a year and a half after I came back from the United States, after graduating from Berkeley. I wanted to start my own company when I came back to Japan.
When I came back, after all those stories about Hitler and his snub, I came back to my native country, and I could not ride in the front of the bus. I had to go to the back door. I couldn't live where I wanted. Now what's the difference?
When Star Wars became a hit and I had a chance to make the other movies, I had to figure out a way to bring Ben back, but a lot of the issues he had to deal with were carried by Yoda. In a sense, I combined Yoda with the spirit of Ben. I wanted Ben to have some kind of influence, but I didn't want it to be a direct influence where he could help Luke. So Ben has managed to keep his identity after he became one with the Force. One of the things he was doing on Tatooine besides watching over Luke was learning how to keep his identity after he became part of the Force.
Time passed. Art came off the walls and became rituals. Ritual became religion. Religion spawned science. Science led to big business. And big business, if it continues on its present, mindless trajectory, could land those lucky enough to survive its ultimate legacy back into caves again.
The majority of Western culture came out of Europe, which is not comparable to America. It came out of nation states based on geographical and ethnic foundations. America is based on principles, a very different kind of country.
I always wanted to make an abstract photograph. I would photograph walls, sports interiors, marks on the walls people made. Even looking back it makes so much sense. It's like it was a fight against the photograph.
I came back to Haiti after the earthquake not to shoot a film, but to help and be a part of the rebuilding process, like all my fellow compatriots. I didn't come to shoot a film, but I became frustrated when I realized that my help was kind of useless. We all felt lost and helpless. And it's out of that frustration that I decided to shoot a film.
When I became the NASA administrator — or before I became the NASA administrator — Barack Obama charged me with three things. One was he wanted me to help re-inspire children to want to get into science and math, he wanted me to expand our international relationships, and third, and perhaps foremost, he wanted me to find a way to reach out to the Muslim world and engage much more with dominantly Muslim nations to help them feel good about their historic contribution to science … and math and engineering.
It dates back to my dad and my uncles. They all got permits to go to Beverly Hills High School back in the '70s and early '80s. After they finished college, they came back and became football coaches there. So I was there with a permit.
When 'Blade Runner' came out, and especially, even actually when 'Alien' came out, it kind of changed how all science fiction movies were designed after that. And that was a really great thing. Now we're watching a lot of movies that are Xeroxes of Xeroxes of Xeroxes of Xeroxes of 'Blade Runner.'
The British ballads became a new kind of form in their hand. And out of them came the blues, a new kind of song of commentary and satire, a song form which, after all, has become the main musical form of the whole human species.
I have the cliche 'struggling actor' story. I was waiting tables in New York, went out to L.A. soon after graduation to get some jobs, but it didn't work out. I wanted to cut my teeth in professional theater, so I came back to New York. It made my journey a longer one, but I really wanted to excel in the theater.
And by the way, I wanted to point out that Kindred is not science fiction. You'll note there's no science in it. It's a kind of grim fantasy.
When I go back to America, after a few days I am once again filled with this kind of angry alienation and disgust with this thing there that America has got - you have no idea how pervasive it is there. The public relations and propaganda put out by the corporate mono-culture there is so pervasive.
I wanted to be a scientist. My undergraduate degree is in biology, and I really did think I might go off and be some kind of a lady Darwin someplace. It turned out that I'm really awful at science and that I have no gift for actually doing science myself. But I'm very interested in others who practice science and in the stories of science.
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