A Quote by Imogen Heap
I'm interested in creating a little sound world for songs, really crafting it, building it, and making it like a little doll's house with little things inside it, staircases and rooms and everything kind of relates to everything else. I've never seen it as drums, bass, guitar and vocals in very separate spaces.
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I say that drums and bass should be very prominent, with vocals being the most important thing, and maybe very little guitars. I conclude by calling for no songs over five minutes and saying that I'm sure we'll fail at anything like what I describe, but hopefully we'll do that in an interesting way. Plans never work!
little sun little moon little dog and a little to eat and a little to love and a little to live for in a little room filled with little mice who gnaw and dance and run while I sleep waiting for a little death in the middle of a little morning in a little city in a little state my little mother dead my little father dead in a little cemetery somewhere. I have only a little time to tell you this: watch out for little death when he comes running but like all the billions of little deaths it will finally mean nothing and everything: all your little tears burning like the dove, wasted.
I remember that the bass was turned up slightly more on the mix from last week, and I thought that was good - or whatever. Like, there were some little things in there that he said that he came to, like, really enjoy my opinion or at least, like, my little comments on the songs. So I was kind of destined to probably be a studio rat.
I love a little distortion across the bass; I think it kind of adds something to the sound of the band when the bass is a little overdriven.
It was never just about painting everything white, I set out to create comfortable spaces - visually comfortable spaces. My mind always feels a little scrambled, so being in simple rooms helps me to think straight.
I have tried drugs and a little of everything else, and there is nothing in the world more soul-satisfying than having the kingdom of God building inside you and growing.
As a musician, I don't think I'm the greatest guitar player. I'm a bigger fan of the drums than I am the guitar; I just happen to play guitar. I play drums almost every day at my house. I wrote a lot of songs behind the drum kit, just having the music and vocals in my head and playing the rhythm.
I play the piano, drums, little bit of bass, guitar. I can play harmonica, a little bit of the ukulele. Pretty much anything that's a strumming, string type thing.
I have a strange illusion quite often. I think I've become deaf. I have to make a little noise to prove I'm not. I clear my throat to show myself that everything is normal. It's like the little Japanese girl they found in the ruins of Hiroshima. Everything dead; and she was singing to her doll.
I do feel that I’ve managed to make something I could maybe call my world…over time…little by little. And when I’m inside it, to some extent, I feel kind of relieved. But the very fact I felt I had to make such a world probably means that I’m a weak person, that I bruise easily, don’t you think? And in the eyes of society at large, that world of mine is a puny little thing. It’s like a cardboard house: a puff of wind might carry it off somewhere.
Drums, bass, guitar, keys, I play a little of each of those.
I'm not really a flashy guy anywhere else - I don't dress flashy or anything else - but I like to keep my cars nice, and I like to customize them. I can do things a little flashier and a little faster, and with a little bit more thought. This is kind of the release part of basketball.
I'm short and I have a big appetite. I can't do nothing just a little. It's the same with anything I do. It's very hard for me to love a little, have sex a little, to eat a little. I like to do everything, and I like to do it all the way that I want to do it.
Songs like 'Everything To Help You Sleep' or 'Claws in Your Back' took a little bit more grappling with the actual poetry for me to feel comfortable with the song. And there's a little bit more song crafting going on, and I had a specific idea in mind of the imagery I wanted to evoke.
The bass, no matter what kind of music you're playing, it just enhances the sound and makes everything sound more beautiful and full. When the bass stops, the bottom kind of drops out of everything.
I like songs that have like a little bit of quirkiness to them. What I like to do with songs, is kind of throw a little curveball in the lyrics or in the arrangement, to kind of give it a little twist to it.
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