A Quote by Imran Tahir

My job, if someone picks me, is to come and perform. That's what we do for a living. — © Imran Tahir
My job, if someone picks me, is to come and perform. That's what we do for a living.
What if someone picks on me?" I asked Then I'll pick on them". What if someone picks my nose?" I asked. The I'll pick your nose, too" Rowdy said.
I have a fear of poverty in old age. I have this vision of myself living in a skip and eating cat food. It's because I'm freelance, and I've never had a proper job. I don't have a pension, and my savings are dwindling. I always thought someone would just come along and look after me.
Had I not gone through the ordeal, in more than one country, of landing a job, I would he tempted to lose patience over the number of letters pouring in from fellows who want me or someone else to hand them a job on a silver platter with a guarantee that they will receive the wonderful promotion their talents warrant.... But a tragic number of young men and even older men have a notion that it is not up to them to prosecute the bettering process. They look to someone else to perform the trick for them.
When someone picks up one of my songs and records it, I'm a flattered man, it's a blessing to me
When someone picks up one of my songs and records it, I'm a flattered man, it's a blessing to me.
I prefer writing for myself to perform, I guess. But if I had to choose, I'd rather perform in someone's movie than write a movie for someone else.
I don't think you can hold someone accountable for trampling someone else, because that person was probably pushed from behind. But if someone picks your pocket in a crowd, it's no different from any other act of that kind, in another situation.
If you need someone to come out of the sewer with a wire you don't hire someone who needs laborious collective instruction. You let someone do his job, whether he's a focus puller or a surgeon.
I feel like I have been portrayed as if I was standing outside Cipriani hoping someone picks me as their plus-one.
That's because you've never been one. You haven't spent years wearing someone else's clothes, taking someone else's name, living in someone else's houses, and working someone else's job to fit in. And if you don't sell out, then you run away... proving you're the Gypsy they said you were all along.
I try to come to my reporting as a real, whole person, not an automaton. And it's always one of the strange discomforts of the job, that you're in this very intense moment in someone's life - you're engaging with them nonstop - and then suddenly your piece is out and that's done. It always reminds me that the journalist's job isn't to be someone's friend, or their psychologist, or anything other than what we actually are. And at the end of the day, that can definitely seem like such a strange, extractive relationship.
For a while, many years ago, my job was to get mugged. My job was to walk around Times Square trying to get a mugger to attack me so that someone else could come in and arrest the mugger.
Trust is a function of both character and competence. Of course you can't trust someone who lacks integrity, but if someone is honest but they can't perform, you're not going to trust them either. You won't trust them to get the job done.
There's a reason I live in the Maine woods, where nobody knows what I do for a living. I think you can be better if someone who's coming to see you perform has no idea who you really are.
Nothing is more powerful than an idea whose time has come - even if it came in a - living room - or to someone - with a humble living.
Ultimately I'm the captain, but if someone can't get themselves in the right state to play, it's not my job. If they don't want to come into work determined to be the best they can be, they're in the wrong job.
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