A Quote by Ina May Gaskin

If a woman doesn't look like a Goddess during labor, then someone isn't treating her right. — © Ina May Gaskin
If a woman doesn't look like a Goddess during labor, then someone isn't treating her right.
Morally a woman has a right to the free and entire development of every faculty which God has given her to be improved and used to His honor. Socially she has a right to the protection of equal laws; the right to labor with her hands the thing that is good; to select the kind of labor which is in harmony with her condition and her powers; to exist, if need be, by her labor, or to profit others by it if she choose. These are her rights, not more nor less than the rights of the man.
Women's stories are as powerful, inspiring, and terrifying as the goddess herself. And in fact, these are the stories of the goddess. As women, we know her because we are her. Each woman, no matter how powerless she might feel, is a cell within her vast form, an embodiment of her essence, and each woman's story is a chapter in the biography of the sacred feminine.
My sister, with her ratty red-highlighted hair and her linen pajamas and her combat boots—how could she possibly worry about being possessed by a goddess? What goddess would want her, except the goddess of chewing gum?
What's so lovely about Wonder Woman is yes, she has the strength and power of a goddess, but she has the heart and mind of a human. So I play her as I think a woman like me would act in the situations she's going through. You treat her as a normal woman who happens to be fantastic and almighty.
I saw sensuality as sacred, indeed the only sacredness, I saw woman and her beauty as divine since her calling is the most important task of existence: the propagation of the species. I saw woman as the personification of nature, as Isis, and man as her priest, her slave; and I pictured her treating him as cruelly as Nature, who, when she no longer needs something that has served her, tosses it away, while her abuses, indeed her killing it, are its lascivious bliss.
She moved from being a young woman into having the angular look of a queen, someone who has made her face with her desire to be a certain kind of person. He still likes that about her. Her smartness, the fact that she did not inherit that look or that beauty, but it was something searched for and that it will always reflect a present stage of her character.
When you find out you're working with someone like Jennifer Aniston, you're like, 'Whoa, what is my life right now? ' It kind of doesn't really seem real. I grew up watching 'Friends' and all her movies, and I was so excited to work with her. And then, I met her, and I was like, 'Oh. You're, like, a very relatable human being.'
Labor will hurt. Probably a lot. But whether this is negative is another matter... A laboring woman can be in a great deal of pain, yet feel loved and supported and exhilarated by the creative forces flowing through her body and her ability to meet labor's challenges.
But all I could see was her. No skill of mine, no artist anywhere, could’ve immortalized how gorgeous she was. It was impossible to believe she’d ever had any doubts about her body. The firelight shone on her skin, golden and perfect, making her look like some radiant goddess of legend. I wanted to kneel before her and offer eternal obedience.
A man has to find a good woman, and when he finds her he has to win her love. then he has to earn her respect. then he has to cherish her trust. and then he has to, like, go on doing that for as long as they live. Until they both die. That's what it's all about. That's the most important thing in the world. That's what a man is, Yaar. A man is truly a man when he wins the love of a good woman, earns her respect, and keeps her trust. Until you do that, you're not a man.
See... I knew baby Marissa was quality people, look how she's eating the head off the red-headed Artemis doll. Simi need to teach her to belch fire, then introduce her to the real heifer-Goddess herself(Simi)
The Maier woman is not a woman who doesn't have fun. My woman is not a woman who doesn't have a life. I like clothes to suggest something. I'm gay, but so what? I still have that sensibility that I like to look at a beautiful woman, and I'm as intrigued as any straight man. I probably look even harder because I like what you don't see.
You must be mistaken," Isabel said, unconcerned by the insult that the words carried. "I assure you i am not. Voluptas is nearly always portrayed wrapped in roses. If that were not enough, her faces confirms her identity." "You cannot tell a goddess from a face carved in marble," she scoffed. "You can tell Voluptas by her face." "I've never even heard of this goddess, and you know what she looks like?" "She is the goddess of sensual pleasure." Isabel's mouth fell open at the words. She could not think of a single thing to say in response. "Oh
I hate the term 'arm candy.' But, look, a woman's figure is a beautiful thing, and if she has shapely legs, then she should show them off, because men love to see that. Not just heterosexual men - gay men like to see a woman in her beauty and the shape of her.
The carved images on the early Minoan sealstones are tantalising, inscrutable. The Nature Goddess is yanked from the soil like a snake or a sheaf of barley; the Mistress of the Animals suckles goats and gazelles. There are male Adorants certainly - up on tiptoe, their outstretched arms hoisted in a kind of heil, their bodies arched suggestively, pelvis forward, before the Goddess - but there are no masculine deities, not a single one in sight. No woman worth her salt, one might think, could fail to be intrigued.
Boxing? She's like a woman. If you've never wooed her, never won her, you always look back wondering what would have happened had you had her. If you caught her and had a long relationship, you don't really look back. Do I miss her? No, because I've had her, I've moved on.
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