A Quote by Inbar Lavi

We're all playing a role. You're playing a role at home, you're playing a role at work, you're playing a role to survive. — © Inbar Lavi
We're all playing a role. You're playing a role at home, you're playing a role at work, you're playing a role to survive.
Some of the roots of role-playing games (RPGs) are grounded in clinical and academic role assumption and role-playing exercises.
The fact of the matter is that an actor, if I'm playing a performance capture role and you're playing a live action role and we're having a scene together, there's no difference in our acting processes.
I'm more interested in the idea of role-playing in general than the idea of role-playing in art. I like the childlike quality of making pretend or the optimistic idea of pretending something's happening when it's not.
Whenever I play a role, whether it's good or bad, an evil person or nice person, I believe in being a purist and going all the way with the role. If I'm going to be a villainous wrestler, I believe in going all the way with it and not breaking character and not giving away to the audience that I'm playing a role. I believe in playing it straight to the hilt.
Of course, when it comes to Japanese role-playing games, in any role-playing game in Japan you're supposed to collect a huge number of items, and magic, and you've got to actually combine different items together to make something really different.
I'm always playing a role, whether it's the role of the mayor, the role of a news anchor, or a role of a crazy talk-show host. But there was a specific function. 'On Dancing With The Stars', I had nothing to do but be me, schlepping around the floor. And when I host 'America's Got Talent', that's really me just talking to regular folks.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
Role-playing games have been a huge part of my life and a huge part of my training as a performer - learning social skills, meeting friends, and being a generally competent person - so I owe a lot to role-playing games.
I'm playing right now a role, and the role is called the 'Heavyweight Champion of the World.' And it takes all of the time. And I love this role, and it takes a lot of attention for me for the sport, and I just don't want to lose the title, so that's why I have to stay focused and not become an actor.
The key to teamwork is to learn a role, accept a role, and strive to become excellent playing it.
As soon as you do it, actors realize there is no difference playing a performance-captured role or a live-action role.
If someone has already done a role I'm about to do, I won't watch the original until after I'm finished playing the role.
My role in it was not as central as it was in some of the later cases considering I was younger then and I was playing a role of co-counsel on the case.
Growing up I was a total movie-holic, but I always wanted to play the role that Clark Gable was playing or Spencer Tracy was playing. I was really never interested in the parts that women were playing. I found the parts that guys were playing were so much more interesting.
GPS not only played a large and delocalizing role in the war in Kosovo but is increasingly playing a role in social life.
The traditional American husband and father had the responsibilities-and the privileges-of playing the role of primary provider. Sharing that role is not easy. To yield exclusive access to the role is to surrender some of the potential for fulfilling the hero fantasy-a fantasy that appeals to us all. The loss is far from trivial.
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