A Quote by India Arie
I am on an album with theater icon Billy Porter called the 'Soul of Richard Rodgers.' Our duet is called 'Carefully Taught.'
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The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.
The only thing I can think of is my favorite album at the moment by this guy called Father John Misty, and the album is called I Love You, Honeybear. It's just brilliant. It's the album I'm currently obsessed with. It is original, and the lyrics are fantastic and [it's] brilliant. So that's blowing me away.
When I am in Mumbai, I am called a director. In Chennai, I am called a hero. In the Telugu States, I am called a dance master.
Popular culture is a place where pity is called compassion, flattery is called love, propaganda is called knowledge, tension is called peace, gossip is called news, and auto-tune is called singing.
I went on tours with [Bob] Dylan - the big one was in 1975 and called Roaring Thunder Review. I knew him well because I met him around the time he did his second album, in 1963. He recorded one of my songs called Shadows. In the 1970s, it was suggested that we do a duet, because we had the same manager, Albert Grossman, who also managed Odetta and Peter, Paul and Mary. Dylan and I respected what each other did, but I just decided not to do it.
Paradise had four rivers that watered the earth.... and howsoever neglected by many, they make glad the city of God. So Bernard sweetly: Eternal life is granted to us in election, promised in our vocation, sealed in our justification, possessed in our glorification. Conclude then, faithfully to thy own soul. I believe, therefore I am justified; I am justified, therefore I am sanctified; I am sanctified, therefore I am called; I am called, therefore I am elected; I am elected, therefore I shall be saved. Oh! settled comfort of joy, which ten thousand devils shall never make void.
The social mould civilization fits us into have no more relation to our actual shapes than the conventional shapes of the constellations have to the real star-patterns. I am called Mrs. Richard Phillotson, living a calm wedded life with my counterpart of that name. But I am not really Mrs. Richard Phillotson, but a woman tossed about, all alone, with aberrant passions, and unaccountable antipathies.
We have common enemies today. It's called childhood poverty. It's called cancer. It's called AIDS. It's called Parkinson's. It's called Muscular Dystrophy.
In so far as divine love beautifies our souls. And makes us pleasing to His divine Majesty, it is called grace; in so far as it gives us strength to do good, it is called charity; but when it reaches such a degree of perfection, that it makes us not only do the good, but do so carefully, frequently and readily, then it is called devotion.
I grew up on a street called Cedar Wood Road and by coincidence my best friends that are around the age 10 became a guy called Bono and another guy called Guggi. It was music again. The fact that pulled us together. They found me quite interesting because I had the right albums underneath my arm. Those days where you carry the latest David Bowie album or Roxie music album as you go to school. I mean you can't play an album at school but you were being cool just showing, "Look what I got."
I'd love to tackle a classic Shakespeare play or take on Nora Helmer in 'A Doll's House.' Musical theater, it's the classics like Rodgers and Hammerstein and Cole Porter's 'Kiss Me Kate.' I'm much more a Julie Andrews-type soprano than an Idina Menzel.
I made an album of healing music called 'Grace and Gratitude' that came from my soul.
In late 2001, I contributed a short story called 'Castaways' to an anthology called 'In Laymon's Terms,' which was a tribute to Richard Laymon, who had passed away earlier that year.
For me, when you are talking about perfect songs, you're talking about Gershwin, 'Someone To Watch Over Me.' Or Larry Hart and Richard Rodgers. Or some of the great Cole Porter songs, whether it's 'Night and Day' or some of the comedy songs. Or Irving Berlin, of course.
The spirit for me is the eternal self. And when one incarnates, an aspect comes with that incarnation, that's called the soul. And together the mind, the emotional body, and the soul form the energy field that lives within this thing called the human body.
I have an independent record label called Favored Nations on which I released an album by an artist called Johnny A, who plays an arch top Gibson through a Marshall, but the tone is all in his fingers.
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