A Quote by India Arie

It's not my place to say how Zoe Saldana perceives herself, and I can't say how anybody else perceives her, either. I see her as a black person of Hispanic origin, but I don't even know what that really means, because I don't know anything about race and Hispanic culture.
It was so important that women were involved in 'She's Gotta Have It' because it's about a woman's opinion. It's about her views of herself, and the world around her, and how the world perceives her, and finding that ground for herself - not even a common ground, but that ground for herself in which she can walk on firmly with confidence.
I think that is funny to say because I've always loved her work and her strength and vulnerability, and the intensity of Evan's [Rachel Wood] performances. And to know her as a friend, know her as someone who we just have fun, whatever, and then see how present she is when she's working and how powerful she is. It was really awesome to get to sort of go into this different dimension with each other.
Growing up, there wasn't an exact Hispanic role model that I had. I didn't realize how big a difference I was making, going to the Olympics and being Hispanic, until I would be in an autograph session, and parents would come up to me and say, 'You know, our family is so proud of you, you're really doing Hispanics proud.'
A lot of guys are very intimidated by an attractive woman, and they dehumanise her because our culture perceives beautiful women as commodities. But I think if you're able walk up to a person and get to know them, and you see their flaws and their impurities, and realise that they're like you, then you can humanise them again.
I think it's easier, I really do, because of not having that similar history, so that's why I think two-thirds of these mixed congregations are either white with Asian and Hispanic, or black with Asian and Hispanic.
Not so much the sound but as a person, I would say Katy Perry inspires me because you can always see that she's being true to herself. She focuses on her music and even turns down big producers. Her whole career and music is about her being herself. I want to be more like that.
Vengeful as nature herself, she loves her children only in order to devour them better and if she herself rips her own veils of self-deceit, Mother perceives in herself untold abysses of cruelty as subtle as it is refined.
I have a lot to say about Mrs. [Hillary] Clinton that has not been said by others recently and that I think needs to be said. I mean I've known her for 40 years. I worked with her, I know her well professionally. I know her well personally. I know her to be a person of high moral character. A reliable person and an honest person, however Mr. [Donald] Trump may rant and rave to the contrary. So I'm happy to say that. People can make their own choices.
Women are so often segregated to their sexuality, and how they appear. In fact, there's a lot of talk, even now, I think in most jobs this is true... people will say, when a woman rises to power, they ask, 'who did she sleep with?' You know, it couldn't possibly be about her acumen, it couldn't possibly be about her intelligence. It's got to be about her body, because that's how women get ahead.
I can't tell you how many resumes we get from business schools across the country from black women and black men and Hispanic women, men, etcetera, who say I'm interested in working for your company because they can see someone at the top who looks like them.
The shaman/priest/artist/teacher/leader does not operate for the sole benefit of herself and her kind but for the benefit of the people at large and of the universe and its patterns, as becomes what she perceives as fitting into place, into her sense of natural justice.
The hardest stories we tell are always about ourselves. How do you explain that you have been missing your mother for 20 years? I don't know how to explain that to you. I wasn't even sure I wanted to film that, because I don't know how I felt about it. I didn't want to put her through it, and I frankly wasn't ready. Because since I was 16, I just had created my own life for myself, you know? I left when I was 12. I'm 32. And I have gotten to know my mother more through editing her and looking and watching and editing her footage, you know.
We never know about anybody else's relationship and how they work - particularly the ones that work for a really, really long time. I was going to say only the people in it, but often, not even they understand how it works.
I just remember lot of men running around in little tiny gold shorts! The format - it was kind of hard. You really have to know about pop culture and I'm not really knowledgeable about a lot of those things. I know what I like. They'd ask about Gwyneth Paltrow, and I don't know anything about her, except her mother. I know who her mother is. So you really have to be current and relevant.
I say it in the writers' room all the time: My black is not your black. What's terrifying is that, just the same way we've all accepted that normal is white, everybody seems to buy into the idea that there's only one way to be black or one way to be Hispanic. That's as damaging as anything else.
She was the first person on either side of her family to go to college, and she held herself to insanely high standards. She worried a lot about whether she was good enough. It was surprising to see how relieved she seemed whenever I told her how amazing she was. I wanted her to feel strong and free. She was beautiful when she was free.
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