A Quote by India Arie

Joe Sample was one of my heroes. I met him at the Curacao Jazz festival, and I fanned out like he was the Beatles! — © India Arie
Joe Sample was one of my heroes. I met him at the Curacao Jazz festival, and I fanned out like he was the Beatles!
I met Gary (Burton) at the Wichita Jazz Festival when I was 18 -- he was one of my favorite musicians and I got to play a few tunes with him there. Shortly after that, I joined his band, which was the equivalent of joining the Beatles for me! He was, and still is, one of the greatest musicians I have ever been lucky enough to be around.
Every time I met any of my heroes I was disappointed - the exception was Joe Strummer, who was like an uncle to me.
The history of jazz for the last 45 years has come through the Monterey Jazz Festival stages. I think there's developed a legacy and an aura around the festival.
It just annoyed me that people got so into the Beatles. "Beatles, Beatles, Beatles." It's not that I don't like talking about them. I've never stopped talking about them. It's "Beatles this, Beatles that, Beatles, Beatles, Beatles, Beatles." Then in the end, it's like "Oh, sod off with the Beatles," you know?
Herb Wong was an incredible man. We met when I was performing with Clark Terry at the Wichita Jazz Festival around 1974.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
In 1987, I had no idea who Steven Isserlis was. We met at the Spoleto Festival in Charleston, South Carolina. It was originally just an Italian summer festival, but for the past 14 years, there's also been a spring festival in America.
Without people like Dylan and the Beatles and people like Paul Simon, I think rock n' roll would have died out like Dixieland jazz.
People ask me to describe how I play, and the most obvious answer is that I'm a jazz influenced guitar player. But I'm not a jazz guitar player. Wes Montgomery was a jazz guitarist, Joe Pass was a jazz guitarist (laughs).
I have never fanned out at all, actually. I mean, there's only a few people that I have fanned out about before: Mark Hamill, Harrison Ford, pretty much anyone from 'Star Wars.' But I don't usually fan out at all, just because they're all people just doing their jobs. It's exciting because they do very good work!
If The Beatles represent the most successful version you can be of a thing, then by that definition The Rolling Stones are The Beatles of music, not counting The Beatles. John Lennon is The Beatles of The Beatles.
I met two of my movie heroes. I met Tom Hanks, and I met Steven Spielberg. Oh and Quentin Tarantino.
Miles Davis, my one and only real hero of my life. I met him [because] every time I had a movie interview, I would shift the conversation to jazz. Miles, when I finally met him, he knew he had a sucker walking in the door. Because his people told him, “This guy plays the trumpet and every freakin’ interview he has ever given, he’s talked about you.”
My first love in music was jazz, but I like it all," "I reacted emotionally to Art Blakey and, of course, to Joe Pass and Wes Montgomery. I was all of 16 when I had my first guitar lesson with Joe. But I never focused on being a bebop player. I loved the harmony, rhythm and phrasing, but I wanted to apply them to my own concept and sound.
In Sweden we have a jazz festival, and I would try to see all these people like Angie Stone there when I was younger.
I was singing totally jazz then, but when I heard the Beatles and heard the gospel influence and everything, I just said, 'I can make jazz with R&B.'
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