A Quote by India Arie
With 'Acoustic Soul,' I saw my music as sparse. But I didn't do that because I was making a commitment to be commercial. That's what made 'Acoustic Soul' so difficult to produce. It took 2 1/2 years because I couldn't figure out what I wanted and still be commercial.
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I do experiment with lots of different genres. In making music, I don't think of genre like, "I want to do this, because I'm going use that country music sound; I'm going use that hip-hop sound; I'm going use that acoustic [sound]." It's just making music. So now that I've traveled a lot more since I did Acoustic Soul, I'm sure that different sounds will come into place, because I have been exposed to it and I like it. But it's not so much of a conscience effort. It's mind and spirited. You know, we're humans.
I made a conscious decision when I was recording 'Acoustic Soul' to - and this is one of my mantras - follow the music and let the chips fall where they may.
A few years ago I had a weird relationship with performing live. I didn't enjoy it as much because the nerves took over. My first ever gig was with Disclosure at Bestival. There were so many people, thousands and thousands of people. It's been an amazing start to my live shows, to experience that type. My only aim when I perform with those guys is to make sure the crowd has the best time. You hype them up. The energy is crazy. It's completely different, but I need both of them because I love dance music, but I also love soul music and slower, acoustic stuff.
I call the light and high aspects of my being spirit and the dark and heavy aspects soul. Soul is at home in the deep, shaded valleys. Heavy torpid flowers saturated with black grow there. The rivers flow like warm syrup. They empty into huge oceans of soul. Spirit is a land of high white peaks and glittering jewel-like lakes and flowers. Life is sparse and sounds travel great distances. There is soul music, soul food, and soul love... People need to climb the mountain not simple because it is there But because the soulful divinity needs to be mated with the spirit.
When I started to write music that was completely divorced from any sort of idea of commercial success, the real me started to come out. Normally, a musician in a session for a pop record would have to discard a lot of ideas because they won't fit, because they're not commercial.
An acoustic ecologist is a listener who is aware that sound is information. It's information because it's created by events, events produce sound, and that sound has all kinds of data, if you will, that conveys what event occurred, what the materials were, whether it was sudden, slow, loud, in what direction. And because it is information, we can think of it as a message. The acoustic ecologist studies information systems that are both intentional and sometimes wild.
I have always wanted to do an acoustic record from the very beginning of my career. I was a coffeeshop artist where everything I did was acoustic.
I'm pursuing soundtrack work in the southern California area and down the line I plan to make a moody, intense acoustic album. Not all acoustic, but an acoustic - oriented guitar record that I've already written most of the material for.
I am a commercial artist because I paint to earn a living. We who earn money from what we produce are all commercial artists.
As I've indicated, most books go out of print within one year. The same is true of music and film. Commercial culture is sharklike. It must keep moving. And when a creative work falls out of favor with the commercial distributors, the commercial life ends.
I play acoustic when I need to play acoustic, and I say I'm probably a better acoustic player than I am electric.
I'm probably a more intentional acoustic player than I am an electric player because of lack of influences. I just play acoustic to see what happens.
I went to a few really bad commercial auditions because I needed the money, and when you booked a commercial, your life was made: you could eat.
I didn't get played on radio or TV for 3 years. They all told me the same thing: it was too urban. They don't see grime music as commercial music, but all music is commercial; it's how you make it. That's what I'm trying to say.
I did a regional car commercial and an internet potato chip commercial. I was seriously thinking I needed to quit and get a serious job where I can feed myself and it doesn't kill my soul.
Mumford & Sons have really opened up everyone's ears to music with instruments again, acoustic-based music... it's reassuring for people like me who have been brought up on acoustic guitar.
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