Honestly, I'm willing to experiment with far more variety in roles than I'm given. But ultimately, it's the producer's decision. But, I've done a variety of roles - the evil don, the evil husband... I've done villainous roles, supporting roles, etc.
Lots of people have expressed consternation that I haven't gotten rid of Southern accent, but I just never saw any reason to lose the flavor that I grew up with. I enjoy saying some things with a Southern accent.
I generally play villains once every three or four years by choice because I get offered villainous roles a lot, because of the way I look and whatever. And I tend to avoid them because I think you can end up in a cul-de-sac of your own making if you're cast in that.
I think for some reason people are drawn to stories of all kinds, for some reason they land harder when they are "true." And yet in fiction, I think there is a lot of deeper truth, too.
People say there's no trace of an accent anymore, and there isn't because I worked very hard to lose it. And the reason I did that is a British accent in America is a real status symbol.
I've been banging on about doing stuff in Birmingham for years and years, and everyone says 'We can't, it's the accent thing.' For some reason it's a very difficult accent to get right, harder even than Geordie.
I didn't really like my Sydney accent - nobody likes the sound of their own voice - and when I was a little younger tried to change my accent gradually. But I've only ever really lived in Sydney and Los Angeles, so I haven't been influenced by the accents of some far-off land.
I know Asian actors out there won't even audition for a role that have an accent. But for me, I was the kid with an accent. I still have an accent to some degree.
For whatever reason I tend to get roles that are more damaged.
I have a strong accent; it limits the roles, of course it does. I guess if I had moved to America a long time ago maybe my accent would have got less.
Fortunately New Zealand doesn't have land borders so we are able to be somewhat more rigorous on who gets in and out of our country than perhaps some people.
Before 'Animal Kingdom,' I wasn't particularly thought of in villainous roles.
The kind of roles that I'm right for on stage tend to be quite young, and ingénue roles can be a little unfulfilling. They tend to fall into one slot: play the innocent young girl who comes on and does a lot of crying.
Because of fear, and the way my career went, I started playing a lot of villainous roles.
I realized some of the films I did, after a few hits that I had, they weren't working for me because I wasn't comfortable in the roles I was playing. That's why probably people thought I was a bad actress and I don't blame them.
One of the things I tell my students is that if you want to understand what's been going on and also what needs to be done, you've got to get out of the blame game. Some people on the left want to blame the rich and corporations. Some people on the right want to blame the poor and government. Either of those frames of reference gets you nowhere and they aren't even truthful. You've got to understand the dynamic itself.