I get to decide how my body shows up in any space. When I'm walking into a place like the Globes, I want to make it very clear that how I show up is to further the freedom of everybody.
If I write a cop show, it's not up to me to decide how different it is from 'Law & Order.' I had screenwriters go on and on and on about how their cop show isn't like any other cop show on TV. They made very good points, and it absolutely doesn't matter. It's entirely up to the audience to decide.
I think everybody has a purpose. Everybody is made to be a picture of how good and glorious God is, and I think sometimes we'll get it confused and think because we mess up, we make mistakes or we have some blemishes in our record, that our purpose is somehow messed up. But actually that only serves to further paint a picture of how good God is when he uses people who are messed up just like me.
When I show up to act in a movie for somebody else, I just want to be nice and helpful and do what they want because I know how difficult it is to make a movie. I don't want to cause any problems. So you show up and do your job, and I think if a director understands that, you don't make a lot of demands.
When you make an album, you have to decide how much you want to give away; you have to decide how much you want to open up. Because the more you open up the more rewarding it can be but the more dangerous it can be. If you really open up and it gets panned it's really painful.
I don't need to make an announcement about who I'm dating. It's up to me to decide when and what I want to share about my personal life, and it is up to the audience to decide how they look at it.
If you're a director and someone shows up and asks how I do it, I'd imagine, as a director, you're like, 'Man, I've got a million decisions to make; can you show up with an idea for the scene?'
The first two, three, four weeks are wasted. I just show up in front of the computer. Show up, show up, show up, and after a while the muse shows up, too. If she doesn't show up invited, eventually she just shows up.
If you make a suggestion and [musicians] don't know what you mean, you have to be able to do it yourself. I often sit down on drums and show 'em just exactly what I want. And I do it and then say, "How do you do that?" It's because I know how it looks, I know what I want to hear, and I don't drop or rush any tempo. It ain't in my body, it ain't in my nephew's body.
On those days when you don't want to get up, I think, I'm going to get through my entire practice without saying how tired I am or I try not to complain just because I was in a bad mood when I woke up. Even if it's not perfect and I slip up, I can catch myself and make myself of aware of where my mental space is at and move on.
It's tough. We don't have a character-driven show so I think the fans get really frustrated because they don't get to see any consistency in terms of what's happening romantically. We kind of just have to take it with a grain of salt. It shows up where it shows up.
I like building teams and I want to run my own show, in the nicest possible way, to see how far I can go, starting with getting Macclesfield further up the table.
You decide how to show up, and you'd better come correct: the way you look, what you say, how you act and react. No excuses! Get in front of the mirror and own what you see. You may have to drag your fabulousness out of hiding, but it's there.
I think circumstance plays a big part in terms of what I do. For example, if I wasn't ever able to show in an art gallery I probably wouldn't really make very much sculpture. But I've had the opportunity to show in big spaces, so I want to fill up that space in the same way you might want to fill up a page.
At bed-time I went into my room and put out the light. I didn't get undressed. I lay on my bed and looked out of the window at the stars. I read in a book that the stars can take you anywhere. I've never wanted to be an astronaut because of the helmets. If I were up there on the moon, or by the Milky Way, I'd want to feel the stars round my head. I'd want them in my hair the way they are in paintings of the gods. I'd want my whole body to feel the space, the empty space and points of light. That's how dancers must feel, dancers and acrobats, just for a second, that freedom.
I can close my eyes and start walking through 'Hamilton' at any given time, and I'll tear up because I remember day in and day out, eight shows a week, walking on stage, seeing everybody that I love.
Show up, show up, show up, and after a while the muse shows up, too. If she doesn’t show up invited, eventually she just shows up