A Quote by Ingeborg Bachmann

With the aid of a minute correction - that of the dispersing lens - in a gold frame perched on her nose, Miranda can see into hell. — © Ingeborg Bachmann
With the aid of a minute correction - that of the dispersing lens - in a gold frame perched on her nose, Miranda can see into hell.
Miranda's my character; I created her! But there's a lot of comedy I want to bring to the world that isn't just Miranda.
I think the perception of me can be, you know, confused. But that's only because people only see that side of me when I'm at work, in front of the camera. So they don't see Miranda at home; they don't see behind the scenes. They see the glamour of it all but they don't see Miranda standing barefoot in a dirty old house.
I feel every shot, every camera move, every frame, and the way you frame something and the choice of lens, I see all those things are really important on every shot.
My treasure chest is filled with gold. Gold . . . gold . . . gold . . . Vagabond's gold and drifter's gold . . . Worthless, priceless, dreamer's gold . . . Gold of the sunset . . . gold of the dawn . . .Gold of the showertrees on my lawn . . . Poet's gold and artist's gold . . . Gold that can not be bought or sold - Gold.
I think the perception of me can be, you know, confused. But thats only because people only see that side of me when Im at work, in front of the camera. So they dont see Miranda at home; they dont see behind the scenes. They see the glamour of it all but they dont see Miranda standing barefoot in a dirty old house.
With a short lens I can reveal the hidden things near at hand, with a long lens the hidden things far away. The telephoto lens provides a new visual sensation for people: it widens their horizons. And, conversely, the things under our nose invariably look good when blown up really big.
My mission is to change the way people see the world. Everybody has a perspective or a lens they see things through, and hopefully I can adjust that lens or change that lens so that they see things from a different perspective, a different lens.
I'm so glad you're back. We need you here. I mean...Burnett's okay, but...he's not you." Holiday arched a brow. "I hear he wasn't even himself for a while there." Miranda frowned. "He told you about the whole kangaroo thing, didn't he." "Yeah," Holiday said, and her brows tightened. "And I must say, I'm very disappointed with you, Miranda" she reached out and gripped Miranda's hand. "The next time you turn him into anything, do it when I'm here to enjoy it." -Taken at Dusk
The thing I needed to learn about Miranda was where her motivation comes from when she gets upset. There's been a few times where Miranda's a brat or crying online, and it seems very surface level, and I think that I needed to learn where her insecurities came from, because online she just comes across as kind of bratty.
To be in a show like 'Miranda' that captures everyone's imagination is amazing, but it's hard when people can't see beyond that. I started travelling to North America because 'Miranda' was so popular in the U.K.; I always knew I wanted to challenge myself and not go for the obvious roles.
In an extreme credit crunch, leveraged purchases of gold cause forced sales, because any price correction triggers margin calls. As a result, gold can be very volatile - upward and downward - at the peak of a crisis.
If some nation says to us, 'You can have aid, but you have to end confrontation,' then I say, 'Go to hell with your aid.'
I have always wanted to tell Miranda's backstory. To me, it's so fascinating that as a YouTuber, everyone knows what we show them. No one knows what goes on when the cameras are off. I always thought, what would Miranda do in her time off?
One minute I was a clapped-out, two-guinea, legal-aid lawyer, and the next minute I was in parliament.
One minute I was a clapped-out, two-guinea, legal-aid lawyer and the next minute I was in parliament.
From daydreams on the road there was no waking. He plodded on. He could remember everything of her save her scent. Seated in a theatre with her beside him leaning forward listening to the music. Gold scrollwork and sconces and the tall columnar folds of the drapes at either side of the stage. She held his hand in her lap and he could feel the tops of her stockings through the thin stuff of her summer dress. Freeze this frame. Now call down your dark and your cold and be damned.
This site uses cookies to ensure you get the best experience. More info...
Got it!