A Quote by Ingrid Betancourt
I think that for example as a prisoner of course I was pressured to become very submissive and in a way the syndrome of Stockholm is when you shift position and then you become like you're supposed to act, which is accepting the authority of those who have abducted you.
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Of course I’ll hurt you. Of course you’ll hurt me. Of course we will hurt each other. But this is the very condition of existence. To become spring, means accepting the risk of winter. To become presence, means accepting the risk of absence.
Where I teach students in drama school, there's a course called Dramatics. In this course, all students must put on a play. However, acting majors are not supposed to act. They can write the play, for example, and the writers may work on stage art. Likewise, stage art majors may become actors, and in this way you put on a show.
The north of Sweden is very socialist and poor. They feel left out and despise Stockholm in many ways because Stockholm has become new liberals and much more Americanized.
I'm one of those big believers that the movie comes together in the way it's supposed to be and that movies are fated to become what they become.
As you get drawn more and more into other activities, like political activities, very demanding, you have to find different rhythms of writing; I think that's the word I'm looking for, rhythms of creativity which then, of course, become very intense. I think your writing then tends to be very intensified simply because there are other demands which seem equally important.
There's been a lot of comparisons to "The Prisoner," and sometimes people take a negative tact on that, but to be really honest, I count that as a compliment, in the sense that what I felt "The Prisoner" was for the '60's, in how the individual triumphs over the state and authority, our show is really about how complacent we have become in our lives, which are scrutinized.
Maybe it was a Patty Hearst thing. Stockholm syndrome or whatever it's called when you're being held against your will but then you become sucked in and fall in love. Or if not exactly love, you fall into something you can't see out of. 'I can't shoot a machine gun' becomes 'Hey, this hardly has any kick-back!
I never wanted to be a mother, and when I got the show I was really upset. I was like "I'm not sexy anymore!" The more you become a mom, you're not sexy, which of course is crap. But that's the way actors look at it. Of course, that's not true now. But everybody expects you to look differently and act differently.
Rather than accepting the drifting separation of the generations, we might begin to define a more complex and interesting set of life stages and parenting passages, each emphasizing the connections to the generations ahead and behind. As I grow older, for example, I might first see my role as a parent in need of older, mentoring parents, and then become a mentoring parent myself. When I become a grandparent, I might expect to seek out older mentoring grandparents, and then later become a mentoring grandparent.
I definitely have a kind of Stockholm Syndrome for superhero movies because it's very clear that's the era we're in. It's like Christianity in the Middle Ages.
We've become a little spoiled with menswear in particular because, of course, we've come off a period in the '70s and '80s when Armani, which is very soft, dominated menswear. And we've become obsessed with comfort. I actually don't like that.
At 21, you can live life with reckless abandon, as reckless as your abandon is. Then, at 30, there's something there are the supposed to be's. You're like, "I'm supposed to be doing this. I'm supposed to be doing that." You start measuring your life by what you think you're supposed to be doing. Having recently turned 40, it's like, "What the hell?! Why am I worried about what I'm supposed to be doing? What do I want to do?" You become fine with wherever the road takes you.
It's no accident, I think, that tennis uses the language of life. Advantage, service, fault, break, love, the basic elements of tennis are those of everyday existence, because every match is a life in miniature. Even the structure of tennis, the way the pieces fit inside one another like Russian nesting dolls, mimics the structure of our days. Points become games become sets become tournaments, and it's all so tightly connected that any point can become the turning point. It reminds me of the way seconds become minutes become hours, and any hour can be our finest. Or darkest. It's our choice.
Like, you can't tell a certain race, like, 'You're supposed to act this way, and you're not supposed to act this way because of what color you are,' like, that's just holding everybody back, you know what I'm saying?
Act as if! Act as if you're a wealthy man, rich already, and then you'll surely become rich. Act as if you have unmatched confidence and then people will surely have confidence in you. Act as if you have unmatched experience and then people will follow your advice. And act as if you are already a tremendous success, and as sure as I stand here today - you will become successful.
They can become very irritated. They can become very aggressive. Not all Alzheimer's patients are that way, but many are. My mother was very difficult. She had extreme mood changes and would become fearful.
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