A Quote by Ingrid Michaelson
When you're writing with someone else it helps you think of things you never would've thought of.
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I love bouncing my words off of someone else's, and the fact that writing a story with someone else guarantees you'll get something you never, ever would have written on your own.
I love writing with really experienced producers and co-writers who open my mind to things I never would have thought otherwise. We may think the same way about something, but they might say it in a way that I never would have thought to say it.
When it comes on politics, one of the reasons I never ever run, I could never say those kinds of things about someone else, and I would never want to be the target of something like that. I don't think it's necessary.
Everybody wants to feel that you're writing to a certain demographic because that's good business, but I've never done that ... I tried to write stories that would interest me. I'd say, what would I like to read?... I don't think you can do your best work if you're writing for somebody else, because you never know what that somebody else really thinks or wants.
I always thought of writing as public, I never thought of writing a diary. I had been struck by, jolted by things I had read, and I wanted to do the same to others. I don't think it ever was the notion of an autobiography; I skipped that phase totally, I think.
if I'd thought that nobody would like it as I was writing it, I would have written it even more. But I never think of the audience. I never think of people reading. I never think of people, period.
I have visions and ideas about different things. Other actors just inspire you, so writing is something I would love to do more of. I would really be interested in doing something in that vein, writing something for myself or someone else and directing for sure.
But while I'd be their daughter, while I'd eat the roast and come home from dates and wash the dishes, I would also be myself. I would love my mother, but I'd never want to be her again. I would never be what someone else wanted me to be. I would never laugh at a joke I didn't think was funny. I would never tell another lie. I would be the truth-teller, starting today. That would be tough. But I was tougher.
The best moments in reading are when you come across something - a thought, a feeling, a way of looking at things - which you had thought special and particular to you. And now, here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out, and taken yours
I would never take a fight with someone to one-up someone else. You know, you do things because you want to do them.
We stay in the house so much because I am waiting for the telephone. I seem to be back in my teens, a period I thought I would never have to endure again: my life is spent hoping for things that only someone else can bring about.
The only thing that seemed to me I could do in such a way that no one else could was acting. I thought, I can be a doctor, but there's going to be someone else who is just as good or better. I can be a lawyer, which I still sometimes think I would love to be, but I think there's someone who can do it just as good or better.
I've always done more than I ever thought I would. Becoming a professor - I never would have imagined that. Writing books - I never would have imagined that. Getting a Ph.D. - I'm not sure I would even have imagined that. I've lived my life a step at a time. Things sort of happened.
I've always thought that design can have equal importance to the idea of internal architecture. Professionally, things can be very dogmatic - you do the architecture, someone else does the interiors, someone else does the furniture, the fabric, etc. But I think design is all-encompassing.
You know it's never fifty-fifty in a marriage. It's always seventy-thirty, or sixty-forty. Someone falls in love first. Someone puts someone else up on a pedestal. Someone works very hard to keep things rolling smoothly; someone else sails along for the ride.
I think now that I've tried directing, I'm not interested in doing adaptations anymore. I could do an adaptation of someone else's work that I would write, but the idea of taking someone else's material entirely doesn't interest me. One of the things that I found really helpful, at least in my mind - and I've never discussed this with the actors or with the people I work with - is that being a neophyte in directing, I feel like I have a kind of authority simply because I'm the writer as well.
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