A Quote by Inspectah Deck

Leave it up to me while I be livin' proof,
To kick the truth to the young black youth. — © Inspectah Deck
Leave it up to me while I be livin' proof, To kick the truth to the young black youth.
Adults who loved and knew me, on many occasions sat me down and told me that I was black. As you could imagine, this had a profound impact on me and soon became my truth. Every friend I had was black; my girlfriends were black. I was seen as black, treated as black, and endured constant overt racism as a young black teenager.
A young man who came from Columbus, Ohio and made it, and who wants every other young man and young woman, black or white, to know that if I could do it, they could do it. Me and my fans grew up together, and I believe they know I'm a walking billboard and proof of that. That's what I see when I look in the mirror.
God damn! Drug dealers dealin' to the kiddies, Livin' in the city ain't no pity on the itty-bitty. We try to cry, but still they all die, I try to speak to the youth, and the truth is: they all high.
You have to be very careful introducing the truth to the black man, who has never previously heard the truth about himself. The black brother is so brainwashed that he may reject the truth when he first hears it. You have to drop a little bit on him at a time, and wait a while to let that sink in before advancing to the next step
I didn't even need America, I was so popular outside the country, until the prosecutin' attorney came from Washington, and said, judge, we cannot let this man go to Japan and fight, because they are anti-American.Now, if I want to leave the country, I know how to leave. Tomorrow. Quick. Easy. If I really want to leave. That's not the intention. The intention is to stop me from makin' a livin'. To punish me.
Today the world changes so quickly that in growing up we take leave not just of youth but of the world we were young in.
It took me forever to leave Chicago. I went to Columbia College because I wasn't ready to leave! My professors had to kick me in the pants to move to Los Angeles.
Proof is boring. Proof is tiresome. Proof is an irrelevance. People would far rather be handed an easy lie than search for a difficult truth, especially if it suits their own purposes.
Black youth, in general, have no understanding of our past. Young black people who don't know who Martin Luther King Jr. was, don't know nothin'.
So, rap has that quality, for youth anyway; it's a kind of blues element. It's physical, almost gymnastic. It speaks to you organically. Rap grows out of what young people really are today, not only black youth, but white - everybody.
'Driving while black' was taught to me at a young age.
I do want to bring up the fact that Hillary Clinton were the one that brought up the words super-predator about young black youth. And that's a term that I think was a - it's - it's been horribly met, as you know. I think she has apologized for it. But I think it was a terrible thing to say.
Not thinking critically, I assumed that the successful prayers were proof that God answers prayer while the failures were proof that there was something wrong with me.
It's not fear of striking out that makes me reluctant to step up to the plate. It's the fear of getting hit in the head by a 90 mph fastball, the pitcher coming off of the mound to stomp me with her cleats while I am down, the rest of the opposing team rushing out of the dugout hurling insults as they kick me and spit on me, while all along the crowd in the stands is cheering them on and laughing at my failure. So, no, it's not the fear of striking out that keeps me from stepping up to the plate.
Give me my freedom for as long as I be All I ask of livin' is to have no chains on me All I ask of livin' is to have no chains on me And all I ask of dyin' is to go naturally... And when I die, and when I'm gone There'll be one child born, in our world To carry on, to carry on...
Body piercing and baggy clothes express identity among black youth, and not just beginning with hip-hop culture. Moreover, young black entrepreneurs like Sean 'P. Diddy' Combs and Russell Simmons have made millions from their clothing lines.
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