A Quote by Invader

I like the illicit nature of street art, but I won't miss the opportunity to make a nice piece because it is legal. — © Invader
I like the illicit nature of street art, but I won't miss the opportunity to make a nice piece because it is legal.
In fact, when drugs are legalized, use sometimes goes down, it's been claimed. Part of the reason is that teenage kids use illicit drugs because they are illicit. They are thumbing their noses at society. If they were legal, they might not.
It is a real piece of art if you can make a waltz sound like it is the easiest piece of music to play, because it's really not.
I think when something becomes a comfortable genre, it's against what street art stood for in the beginning - breaking out of genres and taking art out of galleries. Now street art is in the gallery, and it's all made up into a nice, packaged concept.
Never miss an opportunity to look like a nice guy.
We don't sell a watch to give time. We sell a piece of art. We sell an object that represents something to you, you know. It's like you have a nice shirt or a nice jacket. It's like a luxury accessories that can be considered like shoes or like handbags for ladies.
We say, 'You may drink at the age of 21 but not at the age of 20.' Why? Because humans like to create terribly neat categories out of nature because it allows us a nice, tight social organization. The truth is, nature doesn't care that we like nice, neat social organizations. Nature likes variety.
I have always been a Peter Blake fan and love street art and graffiti. I really like this street-art collective called Faile. They're from Brooklyn and make these prints of beautiful women.
Street art belongs on the street. But I'm a working street artist and I earn my money selling art in the style of street art via galleries.
Everything comes from a weird place that I don't understand. I make a piece of art just to prove that I exist in my own way. And I can't make something nice. I have to make something that makes me uncomfortable.
Hong Kong is a nice playground for my street pieces as the architecture is very different from my home city. It's also a great opportunity to take place in a dynamic city of the global art scene.
If I happen to have another baby or something like that, I'd probably move back to Louisiana. I do miss Louisiana. I miss the people. I miss the food. I miss the way of life, how everything is really simple. There's no traffic like there is in L.A. It's really nice.
Each piece that I put in the street is unique. I never make the same piece twice. For Hong Kong, like for every city where I have worked, I try to adapt my work to the culture and the 'colors' of the city.
I am making art. It's not a job that you've gotta show up to and fill in your slot. This is a dream come true. You get the opportunity to say something, to make a piece of art and hang it on the wall forever. Sometimes you're gonna have to take your time.
I really think there's no difference between an art piece made by a man and one made by a woman. Is it a good art piece or a bad art piece? Of course, if you're female, you're maybe dealing with different issues.
I treat clothing or a piece of jewelry like it was a piece of art, even though people who collect clothes get a bad rap because they're told it's all vanity.
Because I like people, when they come up to me in the street and want a chat and a selfie I'm very flattered. I do miss a lot of trains because of it!
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