A Quote by Ira Gershwin

I got rhythm, I got music, I got my man- Who could ask for anything more? — © Ira Gershwin
I got rhythm, I got music, I got my man- Who could ask for anything more?
When you walk into a doctor's office, you've got to have the same attitude you would about anything else. You've got to ask tough questions, and you've got to not be afraid to challenge their credentials.
The old shepherd had died, or got drunk, or got rats, or got the sack, or a legacy, or got sane, or chucked it, or got lost, or found, or a wife, or had cut his throat, or hanged himself, or got into Parliament or the peerage anyway, anything had happened to him that can happen to an old shepherd or any other man in the bush, and he wasn't there.
In the game, you've got some people who've got money, but their music is kind of off, their music is garbage. Then, you have people with good music, but they ain't got the biggest part: They ain't got the funds. But me, I'm just all the way around the board.
Everybody’s got rights. A man tied to a bed got rights. A man down in a dungeon got rights. A little screaming baby got rights. Yeah, you got rights. What you don’t got is power.
That is what shooting is. There is no secret sauce, man. You've got to find mechanics that you can make the same every time, and you've got to do it over and over again, and you can't just shoot for rhythm. You've got to understand what you are doing. You have to focus on those details every day.
Willie Mays could throw better, and Hank Aaron could hit more home runs. But I've got enthusiasm. I've got desire. I've got hustle. Those are God-given talents, too.
I feel like I have a lot of rhythm because I'm from the DMV. Because you got so many different types of music: Baltimore Club music, Go-Go, then you got the DMV rap music scene, then you got the DMV R&B music scene. It's a lot of music and it's a lot of taste that caters to most.
You've got the Wall Street situation, the sub-prime situation. You've got a black president. We've got wars. We've got unemployment. But the music doesn't reflect that. And I challenge anybody to show me a music that's on the radio that reflects that.
Now we have so many different genres of music, it's amazing to me. Even in the gospel music arena, you've got hip-hop, you got contemporary, urban contemporary, you got traditional, you got neo-soul gospel, you've got all of these different things.
We’ve got customers. We’ve got suppliers. We’ve got employees. We’ve got unions. We’ve got communities. We’ve got all of these things that go into making up whether a business succeeds or fails.
If you make good music, people believe in you, but you have to have your websites poppin', you got to be on these blogs, you got to be at all these types of events. You got to be everywhere, and doing everything, and the more they see and hear you, the more chance you have at success.
You don't often get what you ask for, and I got exactly that. I got a show that was on cable, that I could shoot five months a year and go be mommy the rest of the time, and be with a cast and crew that I really, really love, adore and respect. I got all of that.
Doing a concert, I look at a room full of different people, and I see you've got Muslims, you've got Jews, you've got Christians, you've got gays, you've got straights, you've got blacks, you've got whites. I think, 'How can I unite these people through song?'
Tiger got to hunt, bird got to fly; Man got to sit and wonder 'why, why, why?' Tiger got to sleep, bird got to land; Man got to tell himself he understand.
You've got the same rhythm every day just to keep you going. So once that rhythm is broken, it's kind of hard to get back with it when you got a lot of things going on.
I've got music in my head when I fight. I've got a certain rhythm, a certain way of fighting, a certain relaxation where I can let myself go.
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