A Quote by Ira Gershwin
I'd like to add her initial to my monogram.
Related Quotes
In the end, I take my shoes off and stick my feet in, letting the lukewarm water lick at my ankles. It feels good, and not just because I’m stoned. I make a mental note to add this to Dulcie’s list of things worth living for. For some reason, I keep seeing her rolling her eyes at me, that big, goofy grin stretching her face like Silly Putty. On my private list, I add her smile. She doesn’t have to know.
I love her for what she has dared to be, for her hardness, her cruelty, her egoism, her perverseness, her demoniac destructiveness. She would crush me to ashes without hesitation. She is a personality created to the limit. I worship her courage to hurt, and I am willing to be sacrificed to it. She will add the sum of me to her. She will be June plus all that I contain.
Because no, I didn’t push her away. I didn’t add to her pain or do anything to hurt her. Instead, I left her alone in that room. The only person who might’ve been able to reach out and save her from herself. To pull her back from wherever she was heading. I did what she asked and I left. When I should have stayed.
My rule is, if it's not moving-monogram it!
When the suffering of another creature causes you to feel pain, do not submit to the initial desire to flee from the suffering one, but on the contrary, come closer, as close as you can to her who suffers, and try to help her.
[Keeping kosher was] the symbol of an initiation, like the insignia of a secret brotherhood, that set her apart and gave her freedom and dignity. Every law whose yoke she accepted willingly seemed to add to her freedom: she herself had chosen . . . To enter that brotherhood. Her Judaism was no longer a stigma, a meaningless accident of birth from which she could escape . . . It had become a distinction, the essence of her self-hood, what she was, what she wanted to be, not merely what she happened to be.
I was in Saudi Arabia on 9/11 and was part of the initial leadership team to execute the initial combat operations in Afghanistan.
J. Edgar Hoover, J. Bracken Lee, J. Parnell Thomas, J. Paul Getty -- you can always tell a shithead by that initial initial.
I shall possess this woman; I shall steal her from the husband who profanes her: I will even dare ravish her from the God whom she adores. What delight, to be in turns the object and the victor of her remorse! Far be it from me to destroy the prejudices which sway her mind! They will add to my happiness and my triumph. Let her believe in virtue, and sacrifice it to me; let the idea of falling terrify her, without preventing her fall; and may she, shaken by a thousand terrors, forget them, vanquish them only in my arms.
My sheets are monogrammed, so is my silverware and pretty much everything else I own. My rule is, if it's not moving -- monogram it!
Only add
Deeds to thy knowledge answerable, add faith,
Add virtue, patience, temperance, add love,
By name to come call'd charity, the soul
Of all the rest; then wilt thou not be loath
To leave this Paradise, but shall possess
A Paradise within thee, happier far.
I think people always have - not just journalists who help their careers, I think all people struggle with this idea that a female pop artist can write all her songs. Even I do it sometimes, you see a really good female pop artist and you're like, 'I wonder if she writes her songs.' That's never really my first initial reaction to a male popstar.
Where magic is concerned, there is always an initial decision, an initial willingness to let it enter your life. If that is not there neither is magic.
With the initial focus groups and the initial look-sees, the Rams are a very popular team in Southern California. And so one of the reasons that it was attractive to us to work against them is because they have that good flavor.
For me, staying ready has always been, like, the preparations: do the behind-the-scenes or do what you think that's not sexy that nobody will see, but when they do see it, it's like, 'Oh, snap... what she's doing on her own, we'll add to that, and it'll blow up.'
When you are doing a film about real people, you don't have a lot of manoeuvrability when it comes to how much you can add by way of imagination. You have to replicate what they were like. What you can add to it is your version of it.
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