A Quote by Ira Glass
Nobody tells people who are beginners - and I really wish somebody had told this to me - that all of us who do creative work... get into it because we have good taste.
Related Quotes
What nobody tells people who are beginners… is that all of us who do
creative work, we get into it because we have good taste. But there is this gap.
For the first couple years you make stuff, and it’s just not that good. It’s
trying to be good, it has potential, but it’s not… your taste is why your work
disappoints you… We know our work doesn’t have this special thing that we want
it to have. We all go through this… It is only by going through a volume of work
that you will close that gap, and your work will be as good as your
ambitions.
Whites know never tell blacks what you really think and what you really feel because you risk being seen as a racist. And the result of that is that to a degree, we as blacks live in a bubble. Nobody tells us the truth. Nobody tells us what they would do if they were in our situation. Nobody really helps us.
I suppose that I was a kind of consultant for taste. Is it good taste? Or bad taste? I had an attention to detail, to what would tell best the story. Because many people get excited about the work and drift off from the story.
We get crazy when we can't make things be like the world tells us they are". She looked back out the window. "It was that way for me and your brother, I think. I mean, how could I have loved him that last year? I didn't even know who he was. He was way more attracted to drugs and bikers and that whole lifestyle than he was to me. But somebody told me that if you really loved somebody,you stayed with him no matter what. You had to fight for him." She laughe. "Hell, I was convinced.
When I was a kid, nobody told me I was good-looking. I wish they had. I would've had a better time.
My mom had always wanted me to better myself. I wanted to better myself because of her. Now when the strikes started, I told her I was going to join the union and the whole movement. I told her I was going to work without pay. She said she was proud of me. (His eyes glisten. A long, long pause.) See, I told her I wanted to be with my people. If I were a company man, nobody would like me anymore. I had to belong to somebody and this was it right here.
...You don't always get what you expect. I wish someone, sometime when I was growing up, would have told me what expectations would get me. ... Our parents, schools, everyone tells us things will be a certain way when we're adults and if they're not that way, we should make them be; or at least pretend. But after a certain point that just doesn't work.
I wish when I was 17, somebody had told me not to care so much about what other people had thought.
I remember the days beginning at sixteen, seventeen years old in Girls Aloud. Nobody knew us, nobody cared. We'd do university shows and people threw beers cans at us. All sorts of crazy things! We had to work really hard to get where we did.
I don't have necessarily good taste. I have some really good taste and I have some really awful taste. I don't see the difference, because when you use them together they can work.
I would just like say to you with all my heart is that most everybody I know who does interesting creative work, they went through a phase of years where they had really good taste and they could tell what they were making wasn’t as good as they wanted it to be.
Nobody ever told me, 'Art is this.' This was good luck in a way because I would have had to spend half of my life forgetting everything that I had been told, which is what happens with most students in schools of fine arts.
I wish someone had told me that my stories are really mine to tell. In other words, anything that I think is important or that has moved me has the ability to move somebody else.
Get into something that's really personal that means something to you, where you have something to say and is something really individualized. I wish I was more aware of that when I started my career instead of doing a few things I was told would be good for me. And they weren't, because it left me empty, so I didn't do a good job anyways. I think that's what's key to what we do: It's got to be personal.
I think when you've been in a band for a really long time, sometimes you don't appreciate what's good about yourself. It's easy to play something and get too focused on some small detail. It's helpful to have somebody around who can say, "No, that was good." Just so you don't get too lost or forget what you do. You need somebody you really trust who has great taste.
[Good taste] is a nineteenth-century concept. And good taste has never really been defined. The effort of projecting 'good taste' is so studied that it offends me. No, I prefer to negate that. We have to put a period to so-called good taste.
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