A Quote by Ira Glass
One of the things I learned as a young semiotics nerd was that if you have plot moving forward, no matter how banal the facts of it, simply the fact that the plot is rolling forward makes you wonder what's going to happen next, which creates suspense. So you can control peoples' attention simply by having things move forward in a story.
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Moving forward, the best way is going to be something that is going to be a collective decision, that is made, of course, with President-elect [Donald] Trump having the primary say as to how to move forward. But all those opinions will be in the room.
When you see an article it always has 'disgraced NBA referee.' It's embarrassing and it's never going to be okay. Unfortunately, I have to move forward and just make things different moving forward.
I have no problems with a young man being allowed to understand the mistakes he makes, and let's move forward. Let's move forward, and let's not do it again. That is how I look at it.
In a lot of ways, TV writing taught me how to be a good storyteller. I learned about dialogue, scenes, moving the plot forward.
Subplots bring realism to your main plot simply by existing – by interrupting the flow. Why is this? Because life doesn’t move forward all at once. Interruptions happen, change rushes in, we juggle three or ten balls at once. Readers don’t expect continuous narratives.
I think our culture is moving forward - slowly. And also, as we move forward, we're witnessing some of the old stalwarts rejecting that forward motion.
I've added to my abilities since moving to Bournemouth. You are always having to re-learn how to be a centre-forward as the game is moving forward.
I think we spend so much of our lives trying to pretend that we know what's going to happen next. In fact we don't. To recognize that we don't know even what will happen this afternoon and yet having the courage to move forward - that's one meaning of faith.
I find that the best way to do things is to constantly move forward and to never doubt anything and keep moving forward, if you make a mistake say you made a mistake.
From one week to the next, everything changes from who you're playing to the defense's scheme. You just try to build on the things that you did well and correct the things that you did poorly in the game; then, move forward from there and hopefully continue to get better and better and better as you move forward.
The story of the entrepreneur... is the story of forward progress, of pursuing one's dreams and goals no matter how outlandish they seem to others. The entrepreneur, like the pioneer, pushes boundaries in search of what's new, what's next. Sometimes, he brings the whole society with him, rushing forward together into a next phase of our communal human life.
Semiotics is really interested in the questions like, what keeps you watching something, what keeps you - you know, what keeps you listening to a story on the radio? Like, what keeps you turning the pages in a book? What's the pleasure of it that's moving you forward, that's pulling you in and grabbing you and pulling you forward?
I feel like having details from their day and having a plot and action and things to do is much more revealing than having a character sitting and thinking to themselves. When I'm writing, I want people to actually have a goal, something that's dragging them forward.
A lot of things are going to happen that you can't necessarily control all the time, but you can control what you do after it happens. So that's what I try to do, keep my head up, keep moving forward, stay positive and just work hard.
Conservation destroys the present. If we are only busy preserving the past, we are not living in the present and unable to look forward. I am against conservation. We should let young people move forward, whether we agree with them or not. We should let new things happen.
I'm never so into the three-act movie thing. I know that's the form that people talk about, but it seems to me, in the movie, you just have to keep charging forward. You couldn't start over again like you do after an intermission. You just had to keep the plot moving forward.
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