I'm a big Penn & Teller fan. But I myself was never very good; I was a teenage magician who performed at kids' parties. I can still perform a vanish, credibly, and I still, in special circumstances, will make a balloon animal.
I'm an animal. I'm an animal in real-life and an animal onstage. I never became a recluse, I never lived up in the Hills where I didn't see real life. You know what I mean? I'm not still living in Brooklyn, but I'm still living in the street. I go out by myself, I don't go out with a million body guards, I run my own errands.
I, for one, am actually still incredibly idealistic, and I still can credibly or very strongly believe that you have to keep fighting for what you believe in, because it's only when you stop that you've truly lost.
Justice, however, never was in reality administered gratis in any country. Lawyers and attornies, at least, must always be paid by the parties; and, if they were not, they would perform their duty still worse than they actually perform it.
Nobody who is a Penn & Teller fan thinks of us first and foremost as magicians, but as a comedy team.
We're still missing about a dozen vaccines that will make a huge difference. For adults, we've got HIV and TB are still huge; for kids malaria is still killing a half million kids a year out of that 6 million. We probably need some vaccines, but we need a little more data to make sure we're getting the vaccines that will save the most lives.
I performed in a bowling alley before while people were still bowling. Cut the check, and I will perform anywhere.
Honestly, it's an insane, weird connection that I really feel with fans instantly when I come out, because I'm still very much a fan myself, and I still can't believe that I get to do this every single day.
There are still places to go, there are still dinners, there are still parties, and you can still get dressed up. That's part of having fun in fashion.
For me, the worst set is always when something happens to your equipment. Or back in the days your records wouldn't arrive and you couldn't perform in front of people. The best for me was performing for the Love Parade. That was kind of a blessing. I was never respected as an electronic artist. I was very big as a hip-hop DJ in my home town and in Germany. And then becoming an electronic artist, it was very hard for me to fight my way up. It still is, to be honest. I can still watch the Love Parade on YouTube, and I still put my hand over my head.
Even though I'm in this big, crazy business, I'm still just myself. I still celebrate Christmas; I still live at home.
I discovered 'Rite of Spring' when I was 21. As a matter of fact, not with orchestra first, because it was still a work which was not often performed. Don't forget that I was 19 in 1944, still the Occupation time. So it was performed slightly after the end of the war, in 1945.
I'm still a fanboy geek. I always will be. In many ways, if my work still resonates with the audience, it's because I'm still writing from the point of view of the fan, so I'm geeked out constantly.
I was not a big fan of the Attitude Era. Some of the things they did were very good and very funny but I was never a fan of the sleazy stuff.
Penn & Teller stopped doing practical jokes, and the reason is we got much too good at it.
I'm still a very big fan of Fiona Apple.
I'm not a big fan of remakes. And even if they are good, they're still not as good as the original, so what's the point?