A Quote by Irene Dunne

That's the kind of stuff you are offered today. Scripts that have you mixed up with young men. I find them utterly revolting. — © Irene Dunne
That's the kind of stuff you are offered today. Scripts that have you mixed up with young men. I find them utterly revolting.
Different kind of cinema is being created, people are coming up with different kind of scripts, they are able to come up with scripts that work with the audiences and also scripts which will have something to say to the audience, which is a heart-warming thing.
The scripts of 'The Wire' are fantastic - the scripts of 'Breaking Bad,' the scripts of 'Mad Men,' the scripts of 'The Sopranos,' the scripts of 'Battlestar Galactica.' You could keep going on. They're incredibly well written.
When I write my scripts, there's a point at which if I'm not starting to see them visually, I feel like I'm kind of cheating. So my scripts are laden with a lot of visual description, which makes them not so much fun to read - I kind of weigh them down.
Be militant! Be an organization that is going to do things! If you can find older men who will give you countenance and acceptableleadership, follow them; but if you cannot, organize separately and dispense with them. There are only two sorts of men to be associated with when something is to be done: Those are young men and men who never grow old.
I don't have wild dogs chasing people with scripts away from my door. I get my share. I've done okay. But I usually do independent stuff because that's mostly what I'm offered.
And just as you can find hip-hop lyrics beating up on all these groups, including young Black men themselves, the primary producers of the music, you can also find lyrics celebrating them.
I don't care if it's rap, metal, whatever. You still should play Beatles records mixed with Limp Bizkit mixed with Foghat mixed with Creedence Clearwater Revival, stuff like that.
The kind of loving women and men have in them and the ways it comes out from them makes for them the bottom nature in them, gives to them their kind of thinking, makes the character they have all their living in them, makes them then their kind of women and men and there are always many millions made of each kind of them.
A lot of the messed-up stuff that men inflict on women is kind of a symptom of the messed-up stuff that they should be dealing with themselves.
I was young, but to me that was underground music. I had never heard anything like Venom or any of that stuff growing up in Louisville. That was sort of the only weird records I could find. All that stuff would be in the import section. And sometimes there would be some sort of goth type of stuff. But that was the stuff I was attracted to.
They just hate it when people make love. And then they'll go to a fistfight where somebody's really hurt and all covered with bloodand they'll just love that. Or a war and stuff like that. They're all mixed up and they're trying to take it out on you so you get mixed up too.
A good example of how it must have been is today's world of conducting, which is still utterly dominated by men, and the prejudice the few female conductors have to battle even today is astounding.
Sometimes I feel like doing smaller budget stuff. When I did 'Young Adam', for instance, I'd come out of 'Black Hawk Down' and 'The Island', and I really wanted to be on a small film set. I wanted to be on something intimate and small again, and then 'Young Adam' cropped up in a pile of scripts I was sent.
I am a Pit Bull mixed with a Great Dane, mixed with a Rottweiler, mixed with a Bull Terrier, mixed with everything. That's what kind of dog I am.
I have a stack of scripts that I've read - I'm in the lucky position where I get offered things - but I haven't wanted to direct many of them.
It's really hard to find stuff that is original. You pick up scripts and in four pages you know where it's going and the same thing when you are sitting in a theatre, I just rejoice when something unfolds in a way that I'm not conducive.
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