A Quote by Irene Dunne

I always believed in my characters. I lived them — © Irene Dunne
I always believed in my characters. I lived them
I always believed in my characters. I lived them.
I've always been attracted to characters with insurmountable odds and obstacles, because innately, however inarticulately I've always believed that my dreams and my desires can command and bend time and space to be the things that I want them to be.
I just always lived in stories in my head. I believed I was a Martian princess until I was 10. I believed I was never going to die, and I'd been adopted and put on Earth because there was a war... and still sometimes, as I get older, I hope for my immortal life on Mars.
I have always given my 100 per cent to the characters I believed in.
It's funny what [producer Richard Zanuck said about even though you can't quite place when the book or the story came into your life, and I do vaguely remember roughly five years old reading versions of Alice in Wonderland, but the thing is the characters. You always know the characters. Everyone knows the characters and they're very well-defined characters, which I always thought was fascinating. Most people who haven't read the book definitely know the characters and reference them.
I don't think I ever relinquish a person I have known, and surely not my fictional characters. I see them, I hear them, with a clarity that I would call hallucinatory if hallucination didn't mean something else ... A character whom we create can never die, any more than a friend can die ... Through [my characters] I've lived many parallel lives.
The characters that aren't what they seem to be or women who are stronger than people give them credit for or characters you underestimate, I always think are really interesting because there are so many possibilities with them.
I always get role models, people from real life who've lived the lives of the characters, and talk it through together, me, them and the actor, a lot. That helps. We certainly have our disagreements. But in the end we trust each other.
As an actor, I'm more interested in characters the longer I have lived with them.
Old Testament Israel had some foundational pillars of faith. They were true and robust and God given. The trouble was that people had come to trust in them merely by repeating them, without paying any attention to the ethical implications of what their faith should mean in how they lived. They believed God had given them their land. He had. But they had not lived in it in either gratitude or obedience. They had not fulfilled any of the conditions that Deuteronomy had made so clear.
I have always liked kind of outsider characters. In the movies I grew up liking, you had more complicated characters. I don't mean that in a way that makes us better or anything. I just seem to like characters who don't really fit into. You always hear that from the studio: "You have to be able to root for them, they have to be likeable, and the audience has to be able to see themselves in the characters." I feel that's not necessarily true. As long as the character has some type of goal or outlook on the world, or perspective, you can follow that story.
One doesn't have to resort to cheap imitations of characters or people around you to make others laugh. At least, that is what I've always believed in.
The thing that you have to understand about those of us in the Black Muslim movement was that all of us believed 100 percent in the divinity of Elijah Muhammad. We believed in him. We actually believed that God, in Detroit by the way, that God had taught him and all of that. I always believed that he believed in himself. And I was shocked when I found out that he himself didn't believe it.
My dad's era believed that there was something noble in being a good guy - the kind of guy that lived straight and narrow, told the truth, and stood up for what he believed was right.
I like my male characters as much my female characters, but I always seem to have less for them to say.
The thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human. They're full of flaws as much as they are full of heroics. I think the reason that people love them and hate them so much is because, in some way, they always see a mirror of themselves in them, and you can always understand them on some level. Sometimes it's a terrifyingly dark mirror that's held up.
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