A Quote by Irene Dunne
I'll leave the swearing to the Jane Fondas.
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When I read the 'Dick and Jane' stories, I thought they were afraid they might forget each other's names because they always said each other's names - a lot. So if Jane didn't see the dog, Dick would say, 'Look Jane, look. There is the dog next to Sally, Jane. The dog is also next to mother, Jane. The dog is next to father, Jane.'
There is no such thing as too much swearing. Swearing is just a piece of linguistic mechanics. The words in-between are the clever ones.
The biggest problem of all is that it's very difficult to tell my daughter, 'Swearing is not clever or funny,' because I earn a living by swearing.
Writing for adults often means just increasing the swearing - but find an alternative to swearing and you've probably got a better line.
Unlike others who have been caught swearing on camera, I apologised immediately. And yet I am the only person banned for swearing. That doesn't seem right.
I once rented the Georgian town house that Jane Austen lived in down by the Holburne Museum - so I lived in Jane Austen's house, and slept in Jane Austen's bedroom. You can walk along these Georgian streets and it's like you're in a Jane Austen period drama.
You learn very very quickly that it is mostly about swearing, actually. That's all you're doing, swearing, in a box with wheels.
Swearing relieves the feelings - that is what swearing does. I explained this to my aunt on one occasion, but it didn't answer with her. She said I had no business to have such feelings.
To me [Edgar Allen Poe's] prose is unreadable—like Jane Austin's [sic]. No there is a difference. I could read his prose on salary, but not Jane's. Jane is entirely impossible. It seems a great pity that they allowed her to die a natural death.
Emotionality is really easy for me. My father always said that Fondas can cry at a good steak.
Jane Jacobs work wouldnt have been complete if it hadn't inspired others to carry it on, and evolve Jane's groundbreaking accomplishments so that the essential kernel of thought remains relevant for future generations. The essayists in What We See have built on those essential footholds that people who have never heard of Jane Jacobs will benefit from for decades.
People ask 'do you make a conscious effort not to swear?' - if you're doing silly stuff you're not tempted to put swearing in. All the comics from my childhood, who were funny without swearing, were the people that influenced me. What I do is quite traditional anyway.
I'm a Jane Austen/Jane Eyre kind of girl.
I think as far as the action genre goes, I like when it has a sense of humor. I'm a Jane Austen/Jane Eyre kind of girl.
Leave everything. Leave Dada. Leave your wife. Leave your mistress. Leave your hopes and fears. Leave your children in the woods. Leave the substance for the shadow. Leave your easy life, leave what you are given for the future. Set off on the roads.
I love Jane [Krakowski]. Jane's been a dear friend for maybe a dozen years. We've worked together on many shows and concerts and readings. We did 'Damn Yankees' together and then we did 'Xanadu.' Jane did all the workshops of 'Xanadu' before it moved to Broadway. She's hysterical and our voices blended. We had a similar sensibility.
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