A Quote by Iron & Wine
I just try to use my own life to build a human song: something that people can relate to in some way. It's not like the psychiatrist's couch or anything.
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I did something that I told people around me never to do, which was, pay a psychiatrist. Why pay a psychiatrist when you can just come to me? I can help you with something going on in your life; even if I know nothing about you, I can possibly help you. That's just me being cocky like I am.
When you grow up, you tend to get told that the world is the way it is, and your life is just to live your life inside the world. Try not to bash into the walls too much. Try to have a nice family life. Have fun, save a little money. That's a very limited life. Life can be much broader, once you discover one simple fact, and that is everything around that you call life was made up by people who were no smarter than you. And you can change it. You can influence it. You can build your own things that other people can use. Once you learn that, you'll never be the same again.
If people can't relate to something, there's no use of the song being there.
When you use a sample in a big way, when you loop something in the way I did with 'Runaround Sue,' it's like you have your chords and your melody and the quality of the song right there before you add your own production. It's like the song is already made, in a sense.
You never build the perfect building. Only Allah is perfect. Life is such. You make decisions on conclusions, then some guy invents something else and the world changes. That's comforting. There's no one way to use museums, no one way to do art. That also means there is no one way to build museums.
I guess some people like to just stick with their sound, like Weezer or something, but I think I just try to keep it as close to my real life, in a Neil Young sort of way, as possible.
I saw a psychiatrist when I was younger because I had ADHD, and I had some problems with authority, so I guess I can kind of relate to that in a way. I know what it's liked to be probed and to be asked questions where people are looking for a certain answer and are trying to pull something out of your answer.
All those years on the psychiatrist's couch and suddenly the couch is moving. Good God, she is on that couch when the big one hits. Maidy didn't tell you, but you know what her doctor said? She sprang from the couch and said, "My God, was that an earthquake?" The doctor said this: "Did it feel like an earthquake to you?
We seem to invest so much time and belief that those things are stable in some way - something to build towards, or something to use to better understand where we come from. So often those expectations are just so out of line with how the universe works. I don't see it as a productive way of seeing the world, so, when I deal with that stuff formally - or when I try to allow it to inspire me - I'm open to it twisting itself up.
I do experience something pretty commonly with every song; there's some moment where it clicks into its own life with its own emotional impact that I feel, and even though technically I'm the one writing the song, it's like watching a storm come in.
People always make that mistake when they talk about theatre - the notion of the 'theatrical' meaning something separate from life. If it doesn't relate to life, it doesn't relate to anything.
A song can be a song where somebody thinks you're crazy. A song that gets released has got to be something that everyone can relate to. Most of the songs that I keep are un-relateable for most people - some of the music I make only for myself and the homies.
I don't try to worry about sounding like anybody because I know I have my own tone, my own sound. It's just about being honest in a song and trying to relate myself or how to basically break it down as simple as possible for someone to try to understand it. Not being too deep, not being too shallow at the same time.
Basically, I try to let the song dictate what guitar I use. If it's a really loud, crazy song, I'll pull out the cheapest, oldest guitar I own, one that feeds back easily. But most of the time, I just use whatever's around.
I always try to relate a song to something what is going on, the working man, the times, how life goes.
Everybody can relate to feeling hopeless, at some point in their life, and everybody can relate to fighting for something that's worth fighting for, and everybody can relate to a person in their life that makes them go, "I don't know why you're here right now," but then, at the end of the day, realizing you'd do anything for them.
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