A Quote by Irrfan Khan

I've played many characters that have consumed me and owned me. — © Irrfan Khan
I've played many characters that have consumed me and owned me.
I'm grateful that so many viewers have related to characters I've played. I think many in the audience see themselves in my characters or feel like the characters are similar to their friends or sisters.
I worked at a factory owned by Germans, at coal pits owned by Frenchmen, and at a chemical plant owned by Belgians. There I discovered something about capitalists. They are all alike, whatever the nationality. All they wanted from me was the most work for the least money that kept me alive. So I became a communist.
I had played many gay characters before, but they were finite - guest characters in TV shows or characters in plays.
I have been fortunate enough to be offered characters and projects that challenge me and that are different from the characters that I have played.
Most of the characters I'd played were so different from me, so far from me that I had to transform.
You get all of your neuroses worked out on stage. I haven't actually played very many nice characters, certainly not on stage. It's not a quality that attracts me.
I met this wonderful guy who owned an old pub near the Eiffel Tower called Malone's (he's French but it's an Irish name). He had a cellar with a piano and told me I could use it whenever I wanted to. I played lots of gigs down there. When I came back I played a show at the Knitting Factory.
There's a little bit of me in all of the characters I've played. I've never really had the opportunity to play something that's a complete departure from me.
Obsession led me to write. It's been that way with every book I've ever written. I become completely consumed by a theme, by characters, by a desire to meet a challenge.
All the characters I've played so far mean a lot to me, but I think Young-hee of After My Death' was a real turning point for me as an actor.
I like complex characters. I've been very, very lucky to portray, in these past three years, characters that are strong and fragile at the same time. It's those characters that I'm looking for. In the last year and half I played three different religions, and that allowed me to educate myself so much.
Don't get me wrong; we have a great relationship with Intel going back over many, many years. But we're not a wholly-owned subsidiary. We can do our own thing.
I don't see my old films, but I think of the characters I played as friends, like the women I meet in my life who made strong impressions on me. I remember them and they are part of me.
To me idealized characters are so boring to play, especially having grown up in the classical theater. That's a great experience, but as a woman, especially, you've played a lot of idealized characters. So when you've got someone who has weaknesses as well as strengths, that's interesting.
I've played American characters so many times now, it's so natural to me. But when I play American, I stay in the American accent from the minute I get the job till the minute I wrap.
I hope it's not all I'll ever do, but I know I've played enigmatic characters. For me, the good characters are people who get places, are devious, are cunning and tricky and hard to pin down. Obviously, if you play one and you do an okay job of it, that'll be on people's minds.
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