A Quote by Irvine Welsh
Some people are easier to love when you don't have to be around them.
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I love baking cakes and slices and biscuits, but I will only make them if I'm going somewhere with lots of people so I can share them around. I've got a sweet tooth, and I'm not good with discipline, so it's easier if I just don't have desserts in the house.
How do you recover from an extraordinary loss? Take stock of the loved ones around you. Hug them, love them, and cherish them. When you appreciate the joys in your life, it makes sorrow that much easier to swallow. Every day is a new day. Hope floats, so let it rise. God is love.
People who are harder to love pose a challenge, and the challenge makes them easier to love. You're driven to love them. People who want their love easy don't really want love.
What makes the temptation of power so seemingly irresistible? Maybe it is that power offers an easy substitute for the hard task of love. It seems easier to be God than to love God, easier to control people than to love people, easier to own life than to love life.
The upper echelon of the movie industry is easier to deal with and the work is much easier to accomplish because of this generosity of spirit and confidence that they instill in the group around them.
You start to stress yourself out about the people around you. You start to think, like, "What do you really want from me?" And then you forget that you, at some point, asked them for something. At some point you needed them to take you in because you ain't had nowhere to go. And now you turn around and question their loyalty to you, and those were the only people loyal to you. The only people that really loved you are still there, and you tanked on them. I'll never let that happen.
I think that in some ways 'Climax' is easier to digest than my other movies because the characters are easier to identify with. You love them because they're young, they're great dancers, they're beautiful, and they are willing to construct something. They're not losers like most of the characters of my previous movies.
I think that we live in a time where it's easier to be suspicious of dedicated men and women, people dedicated to their craft, because the world around them inspires them to be lazy. It inspires them to be negative. It inspires them to be snarky.
When you're able to love and appreciate and take pride with yourself, that makes everything easier. It makes it easier to train, it makes it easier to be in the gym, and it makes it easier for everyone else to accept and love you.
There are certain songs that are sacred. People want to hear them just as they are in their head; they don't want you messing around with them. And then there are some other songs, if they've been around a long time in our set list, that I think we can take some creative liberties with.
All my main characters are people I'd love to sit around having coffee with. They are people who will tell you honestly about the things that scare them and worry them and trouble them. Because those moments of connection between women-when they really decide to be honest with each other about their lives-are some of the best things in life.
If we wait for some people to become agreeable or attractive before we begin to love them, we will never begin. If we are content to give them a cold impersonal 'charity' that is merely a matter of obligation, we will not trouble to understand them or to sympathize with them at all. And in that case we will not really love them, because love implies an efficacious will not only to do good to others exteriorly but also to find some good in them to which we can respond."
I think the serious things really are the things that make for happiness--people and things that are compatible, love.... So many people are content just to sit around and talk about them instead of getting out and attaining them. As if life were a joke of some kind.
For me, the more talented the actor is that I'm working with, the easier my job is because the circumstances of a scene are easier to believe when the people around you are in the moment just as much as you are.
There are many different types of people that end up coming to me and saying 'Yeah I want to cook.' Some of them successful, some not. There's no one formula, but if I get someone coming through the backdoor who knows that they want to get into the cooking field, they feel this inside-out love for it, this attraction to it, that person is an awful lot easier to work with.
I don't 'handle' people. It's so much easier to manipulate actors than to really have an earnest discussion with them. It's very easy to say whatever's going to appease them and then turn around and do whatever you want to do. It's difficult to be forthright with people, because the job does not lend itself to that.
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