A Quote by Irvine Welsh

We were looking for someone who could get the film [Filth] made at that kind of level, with the finance we wanted, and we spoke to a lot of people. When I met James [McAvoy] in the Soho Hotel with Jon Baird, the director, he looked about ten years old. I thought there's no way he's going to be a forty-year-old divorced alcoholic cop. I thought, really lovely guy, I'll let him and John talk and see if they get on.
I think I really thought I was a boy until I was ten years old because my parents divorced when I was born, and so my three brothers were almost like my fathers growing up. So they taught me how to ride a bike and all that stuff. I really was just kind of a guy's girl and just kind of an outspoken - some could say obnoxious - in-your-face kid.
You can talk about things indirectly, but if you want to talk how people really talk, you have to talk R-rated. I mean I've got three incredibly intelligent daughters, but when you get mad, you get mad and you talk like people talk. When a normal 17-year-old girl storms out of the house or 15-year-old boy is mad at his mom or dad, they're not talking the way people talk on TV. Unless it's cable.
We were doing Scarface many years ago...and I remember having my coffee and looking at the beach, the surf, and I saw a hundred people looking out into the ocean. I thought, what's going on? Did some whale get washed up to shore? So I stood up on the table to see what it was, and it was the director, Brian De Palma, standing there alone by the surf and they were all waiting for him. And I never forgot that because it represented to me what a director is, what a director does.
Somebody told me a story where they met a celebrity when they were six years old, and the celebrity was really mean. They still remember that to this day. I never want some 22-year-old in ten years' time to say, 'I met Madelaine Petcsh, and it ruined my idea of celebrities,' so I'm always aware.
I understood why films were made, and if they made a lot of money, they were successful. All of these things I knew. As a ten-year-old boy, I didn't really think a lot about finances or celebrity. I always viewed films as kind of what I imagined a summer camp to be like.
Yachty is really quiet when you first meet him, and that was different to me. That's just how he is. He's chill, but he'll talk to you. My first thought when I met him? 'Oh, I could get along with this guy.'
Recently I made the mistake of opening a bundle of reviews that someone had sent me of a production from years and years ago, and someone had written a really lovely review except that it made a remark about the way I spoke: 'A lot of people find her voice terribly irritating.' Do they? I had no idea.
Billy Wilder is really is a heavy influence on Bound. We felt that film noir was a genre where you could create a really contained story. We wanted to be on a set as much as we could to get the kind of style level we were looking for.
I never thought about the gayness. Liberace just looked like he was having so much fun. And that whole idea of talking directly to the audience, you just went along with him. He made you happy. And he's finally getting acknowledged for all the Elton John, Lady Gaga, Madonna theatrics now that people are looking at his old costumes.
As the population is, in general, aging, there is more interest in what a 50-year-old, a 60-year-old, a 70-year-old, an 80-year-old is like. And one of the things that just naturally started to happen as I got older - and I could feel younger people looking up to me in a certain way and wanting to know things that I knew - I got interested in the women, in particular, who were 20 years older than me. Because I understand in a way that I didn't 20, 30 years ago, how much they know.
The first person I ever really got starstruck over was Nicole Kidman, because I looked up to her. When I was younger, I wouldn't get parts because of how tall I was. I had the body of a 15-year-old but the face of a 12-year-old. I always looked at Nicole Kidman and thought, 'Oh well, she works.'
The first person I ever really got starstruck over was Nicole Kidman, because I looked up to her. When I was younger, I wouldn't get parts because of how tall I was. I had the body of a 15-year-old but the face of a 12-year-old. I always looked at Nicole Kidman and thought, "Oh well, she works."
There's this Bruno Mars guy. I met him in Hawaii when was doing Elvis imitations at the age of about five or six years old. There's a lot of old school in him. He's got a depth that I just love.
Going back to the films I made in the nineties, they might not have been the most thought-provoking movies, but there was always this conscious thing of knowing that it was fourteen-year-old surfers who were really into it, and so I've wanted to be responsible with that.
I figured if I could get really good people who were going to be able to have a big impact in the world over the next decade to come together once a year for ten years and actually sign a pledge to take action themselves, if we did that every year for ten years we could do a lot of good in the world. That's the difference between my meeting and any other. If you don't want to promise to do something, don't come to my meeting, stay home.
I never wanted to be the guy people looked at. I felt I could only be myself when I was alone, that I turned into some kind of novelty. The only way I could get through that time was to drink. I poisoned myself with alcohol for years but I've never been into drugs in the way it was sometimes made out.
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