A Quote by Irvine Welsh

When two people were in love you had to leave them to it. Especially when you weren't in love and wished that you were. That could embarrass. That could hurt. — © Irvine Welsh
When two people were in love you had to leave them to it. Especially when you weren't in love and wished that you were. That could embarrass. That could hurt.
They say you cannot love two people equally at once,” she said. “And perhaps for others that is so. But you and Will—you are not like two ordinary people, two people who might have been jealous of each other, or who would have imagined my love for one of them diminished by my love of the other. You merged your souls when you were both children. I could not have loved Will so much if I had not loved you as well. And I could not love you as I do if I had not loved Will as I did.
He knew that these creatures were dead, that they were reanimated echoes who wore the disguise of the people they had once been, but Tom's words rang in his mind. They used to be people. How could he strike them? How could he hurt them? Children, women, old people. Lost souls.
It was frustrating when people loved you and took an interest in you and sometimes worried about you and personally cared what you did with yourself. Lena wished that love were something you could flip on and off. You could turn it on when you felt good bout yourself and worthy of it and generous enough to return it. You could clip it off when you needed to hide or self-destruct and had nothing at all to give." (Lena, 194)
Marriage has failed because you could not rise to the standard that you were expecting of marriage, of the concept of marriage. You were brutal, you were, you were full of jealousies, you were full of lust; you had never known really what love is. In the name of love, you tried everything which is just the opposite of love: possessiveness, domination, power.
I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.
I had a great many sex and love cases where people were absolutely devastated when somebody with whom they were compulsively in love didn't love them back. They were killing themselves with anxiety and depression.
How could two people who were so in love not end up happily ever after? It had to work. Didn’t it?
I'm hugely inspired by music. I am a big listener of 60's and 70's classic rock. And i really just love the overall freedom of that time, of the late 60's and 70's. I love that you had so many different ways of expressing yourself, fashion was really one of them, the idea of clashing didn't exist, and people were using clothes as an opportunity to express who they were. That is inspiring to me - you could mix textiles, fabrics, you were 100% who you were, and that's where my main inspiration comes from.
No one was perfect. But we all did the best we could. I guessed you had to forgive when you could, move on when you couldn't, and love your family and friends for who they were instead of punishing them for who they weren't.
If you were a boy and a girl and you were in love with each other, really, properly in love, and if you could show it, then the people who run Hailsham, they sorted it out for you. They sorted it out so you could have a few years together before you began your donations.
Americans were in love with mesmerism because it was something that you could do in your own home. You could mesmerize or hypnotize your aunt or your mother or your father and people would go into these trance states and you could introduction autosuggestions tot hem or as some people saw it, you could cure them of illnesses.
The ways I could hurt her and hurt myself. Those two things were intertwined somehow. It's hard to explain, but when you were as closed off as I was the past few months, opening felt as wrong as stripping naked in church.
If my love were an ocean, there would be no more land. If my love were a desert, you would see only sand. If my love were a star- late at night, only light. And if my love could grow wings, I'd be soaring in flight.
You know the troubles I've had with my two older children. I can't understand why it turned out so badly. I tried to give them everything. I loved them and tried to keep them near me, even when they didn't return my love. Well, I couldn't make them love me, but they could have shown some respect. I couldn't insist on love, but I could insist on respect.
I waited a long time, an hour or two, to make that picture perfect. But I wasn't totally satisfied. Then, when I'd finished the shoot, they were about to leave and they suddenly hugged in front of a radiator. I took my camera and that was the picture that ran everywhere - it was spontaneous emotion you could see they were completely in love.
Have you ever felt a potential love for someone? Like, you don't actually love them and you know you don't, but you know you could. You realise that you could easily fall in love with them. It's almost like the bud of a flower, ready to blossom but it's just not quite there yet. And you like them a lot, you really do. You think about them often, but you don't love them. You could, though. You know you could.
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