I left Edinburgh to follow the London punk scene in 1978, singing and playing guitar in various bands. My income was sporadic, so I did anything to eke out some kind of subsistence - laying down slabs, working as a kitchen porter.
My vision of punk rock was these dudes who were spitting on the audience and moshing. That's why I kind of left that scene. Then I see all these people around my same age or between 17 and 25 that were making music themselves in their own town. They weren't just singing, but creating. I see them putting out this music where there are tons of women involved in the scene and involved in the bands.
Yeah, Jody [Porter] left. He's a great guitar player. We have a guy named Phil Hurley who is going to go out on tour with us now. I'm not sure if he'll end up as the permanent guitar player, but he's the type of guy who can kind of step in and play anything. He was with the Gigolo Ants before, and he's really good.
I started playing guitar when I was in eighth grade, and that led to trying to write songs and trying to figure out how to play in bands. That led to meeting people, and getting into the local punk rock scene, and going to shows. So that was how I really got into the culture of it.
I started playing guitar at, like, 12 or 13 and just rock bands mostly. I had a punk rock band and hard core bands and all that.
When I was a kid, I was playing in various bands - amateur bands, garage bands, weekend bands, you name it, around the area. At some point, I just wanted to try the whole 'Beatle tribute band' thing, so I found a local band that was doing that.
I'm a natural born show off. I love performing, and at school we had a really good music scene and an even better drama scene. When I got to university, I played in bands and did sketch stuff and it was always about coming up with material, which is why I never really practised and have no chops!! When I left uni, I carried on playing and trying out at stand-up.
Definitely, when you get into something where bands are playing for 30,000 people, it's not like the post-punk, U.S. independent scene.
When I was nine years old, I started playing guitar, and I took classical guitar lessons and studied music theory. And played jazz for a while. And then when I was around fourteen years old, I discovered punk rock. And so I then tried to unlearn everything I had learned in classical music and jazz so I could play in punk rock bands.
When I joined the band, I hadn't been introduced to a lot of these bands on the scene - no emo bands or punk bands. The only band I knew was My Chemical Romance.
How movies are financed, it's a world market now... I feel like, you know, the independent film way of working is something that was in my bones. It's like being a part of a punk band, but no one's singing punk rock anymore. Only a few bands are able to play, and Woody Allen is one of them.
TALLAHASSEE LASSIE was a record I wrote with my mom. A number of other famous groups have also recorded it such as Led Zeppelin (I understand they are currently touring) and several other English bands and also some various "Punk Bands".
I was in punk bands when I was a kid, and then I would do stand-up in between bands - which wasn't any different from my singing.
Punk was key to the early part of me playing guitar. I was really into melodic punk-rock. I related to punk more than Lynyrd Skynyrd or Yes or Van Halen.
In 1978, there was a 14-year-old boy working in Newark. He did in fact create the inter-office mail system and called it email. What they did before 1978 was text messaging.
I've only ever been in bands where I can be the punk rock guitar player in the band because that's all I want to do. I don't even know if I could do anything else.
I drummed in some rock bands. I asked for a drum kit when I was 15 and my parents were kind enough to buy me one and I just started playing with my buddies who played guitar.