A Quote by Irvine Welsh

I wanted to capture the excitement of house music, almost like a four-four beat, and the best way to do that was to use a language that was rhythmic and performative. — © Irvine Welsh
I wanted to capture the excitement of house music, almost like a four-four beat, and the best way to do that was to use a language that was rhythmic and performative.
I started spinning house and R&B. I was taught how to DJ from house producers, so it was mostly house music in the beginning. But then sometimes people can get a little tired of hearing the same four-four beats all the time, so if you throw a little R&B in there as well, it gives people a little breather. That's the way I was DJing then when I learned how to spin. That was my introduction to house music in general, which was eye opening for sure.
The writing process, the way I go about it is I do whatever the beat feels like, whatever the beat is telling me to do. Usually when the beat comes on, I think of a hook or the subject I want to rap about almost instantly. Within four, eight bars of it playing I'm just like, 'Oh, OK. This is what I wanna do'.
In music, four is the number that every measure is - four by four, four beats to every measure. The number four is a sense of completion, almost.
Four. That's what I want you to remember. If you don't get your idea across in the first four minutes, you won't do it. Four sentences to a paragraph. Four letters to a word. The most important words in the English language all have four letters. Home. Love. Food. Land. Peace. . .I know peace has five letters, but any damn fool knows it should have four.
You called me at four thirty-four....I hate four thirty-four. I think four thirty-four should be banned and replaced with something more reasonable, like, say, nine twelve.
I do try to incorporate particular rhythmic and generally sonic motifs I discover in music as such, and if one thinks of language in a narrow sense, that, perhaps, suggests a possibility for a rhythmic sensibility that enters poetry from outside of language.
It takes having your golf peak four different times throughout the year. You have to like all four golf courses. You've got to be the best of that week for the four weeks
It takes having your golf peak four different times throughout the year. You have to like all four golf courses. You've got to be the best of that week for the four weeks.
At seventy-four I'm getting minor raves on my looks, but I'm caught in the middle. Who knows what seventy-four looks like? Who cares? But if I'd listened to my friends, I could now lie and say I'm eighty-four. For eighty-four, the way I look is spectacular.
I am a serial monogamist of sorts, and have been with my girlfriend for almost four years. In imagining my brain back to worlds where I might be around someone other sexed in that way and not know them that well, speaking out loud almost seems like requiring of demon language, or money spurting.
Left ear, I wear four earrings. The four is symbolic of the four seasons, spring, winter, summer and fall, the four directions, north, east, south and west, the four gospel writers, Matthew, Mark, Luke and John.
There's almost no content in terms of language at all. I don't like using language to convey meaning. I'd rather use images and music.
I like roses best. But they bloom in all four seasons. I wonder if people who like roses best have to die four times over again.
When you play all that as a body of work there are four great songs, four mediocre songs and four bad songs. I didn't know it at the time; I was just doing my best.
Western ears have a hard time hearing anything that isn't in four-four time. A lot of cultures experience music in five-eight, for example, five-four.
The way a dancer can bring the crowd to its feet with a drawn-out, well-executed pirouette is the excitement I wanted to capture with this design.
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