A Quote by Irvine Welsh
From 'Trainspotting' to 'Acid House,' I moved from urban realism into fantasy.
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A lot of people have read the Mira Grant books who are not urban fantasy readers, and they would never have picked up a book with an urban fantasist's name on the cover, but then they go on to read my urban fantasy and like it.
Urban Fantasy is a subgenre pretty much designed for teenagers. It's pretty twee, but I adore it. I've been trying to come up with an Urban Fantasy comic ever since I'd read the Nancy Collins 'Sonja Blue' series years ago.
Realism isn't something most people associate with the fantasy genre, yet it's an essential element of great fantasy writing.
I like certain subgenres within science fiction and fantasy, and one of those is urban fantasy, and another is steampunk.
People don't like to say Fantasy they say Magic Realism which means Fantasy written by somebody I went to university with.
Don't get me wrong, hard and soft fantasy stories can both be good. But you need to know which camp you're in. I'm into realism. I'm a hard fantasy guy.
In a closed urban fantasy, the magical world is secret and no one knows about it. In an open urban fantasy, everyone knows about it. So with a closed fantasy, you have to figure out how the world keeps itself secret, and with an open one, you have to figure out how knowledge of magic has altered the world we know.
Imagine my delight and awe when I discovered such a thing was a real genre - contemporary fantasy or urban fantasy. It was like having my birthday twice in one week and cookie dough for breakfast.
Most films that I do, whether successful or not, just fade away. They have their moment in the sun, then they are gone. 'Trainspotting' did not, and especially with journalists. So whenever I launched a new film, I'd end up talking about 'Trainspotting.'
The Vienna Franks are a good example of urban white acid folk revivalism crossed with ska.
It is in the capacity to love, that is to SEE, that the liberation of the soul from fantasy consists. The freedom which is a proper human goal is the freedom from fantasy, that is the realism of compassion. What I have called fantasy, the proliferation of blinding self-centered aims and images, is itself a powerful system of energy, and most of what is often called 'will' or 'willing' belongs to this system. What counteracts the system is attention to reality inspired by, consisting of, love.
I mean Filth is the best British film since Trainspotting. It might even be better. I keep watching it back to back with Trainspotting to try and work out which is the best. I can't split them.
As for genre, my adult books are usually filed under science fiction / fantasy, although some stores put them into romance, and few have stuck them into horror. I consider all my books a mix of steampunk and urban fantasy.
I think that the way of bringing realism into fantasy is to treat it as the commonplace.
I move from realism to fantasy without the spectator ever noticing.
I gravitate much more toward realism, realism in the work that I do, but magical realism got me hooked on film. I think it was my first time realizing that there was something besides popcorn movies.
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