A Quote by Irvine Welsh

Underground people pay a desperate toll finding out things nobody else has discovered yet. We run around like headless chickens looking for the next cultural fix to spiral around in before it gets appropriated somewhere else and becomes something it never was. There's this sort of one-upmanship in the underground.
America was discovered accidentally by a great seaman who was looking for something else; when discovered it was not wanted; and most of the exploration for the next fifty years was done in the hope of getting through or around it. America was named after a man who discovered no part of the New World. History is like that, very chancy.
The last time I put out 'Raw,' that boosted me up in the underground to one of the top underground artists who was making moves and touring around the world.
Underground. Which I hate. Like mines and tunnels and 13. Underground, where I dread dying, which is stupid because even if I die aboveground, the next thing they'll do is bury me underground anyway.
As I got older I became a kind of sub cultural junkie, foraging around in music, street fashion and eventually art, politics and the freakier reaches of the Internet, hunting the next discovery, the next seam of underground gold.
We always imagine that there's got to be somewhere else better than where we are right now; this is the Great Somewhere Else we all carry around in our heads. We believe Somewhere Else is out there for us if only we could find it. But there's no Somewhere Else. Everything is right here...Make this your paradise or make this your hell. The choice is entirely yours. Really.
Of course [the White House press corps] are a factor, and the reason is they're not media. They happen to pretend or portray people running around finding out things nobody else knows and telling everybody, but that's not what they do.
Lots of headless chickens running around - artists with 14 million followers on Twitter, some making millions, none making cultural impact.
The underground went really underground. Grand Funk, and all these people man are the moderate's choice of music. Underground is Yoko Ono, The Black Poets. These people scare the hell out of most freaks. They laugh at Yoko Ono, but it's the whole cliché.
The best way in the world to advertise is to get somebody else to run around with the name of your product on their person or showing it around somewhere and not only that but they're paying for it.
The underground of the city is like what's underground in people. Beneath the surface, it's boiling with monsters.
There was a time when people would go search out underground records. Now, underground means free, and people don't really care for it. So now artists tend to go more pop and look for the radio. You know, the radio never wanted you to speak about anything, so the music is kinda influenced by the hands of the radio which wants to homogenize it and dilute it and sanitize it. And for the most part, nobody's takin' the time to seek out the cats that are still tryin' to talk, so they have a difficult time being heard, like Chuck D said.
There are things you can’t reach. But You can reach out to them, and all day long. The wind, the bird flying away. The idea of god. And it can keep you busy as anything else, and happier. I look; morning to night I am never done with looking. Looking I mean not just standing around, but standing around As though with your arms open.
I'm interested in the way the whole cultural landscape can shift over time. Okay, this will seem like a silly example, but look at the whole discourse around "selling out," a concept people say is irrelevant because there's no more distinction between mainstream and underground, inside and outside (which I don't really believe, but that's another issue).
I was like, 'Oh, let's do a show about the Underground Railroad.' I never come up with great titles, and I thought, 'Underground' is a fantastic title. I got really excited.
During the Civil War, the Underground Railroad became a spy network, so we could still have fresh stories for these characters years into the future, with desperate people still doing desperate things.
So, I play in a band. It's a really underground band. Super underground. Very underground. Like, we don't even actually play.
This site uses cookies to ensure you get the best experience. More info...
Got it!