A Quote by Irving Berlin

The song is ended, but the melody lingers on. — © Irving Berlin
The song is ended, but the melody lingers on.
The Madiba song may have ended, but its melody lingers on.
You can't write a song out of thin air. You have to feel and know what you are writing about. ... Talent is only a starting point. You've got to keep working that talent. Someday I'll reach for it and it won't be there. ... Life is 10 percent what you make it, and 90 percent how you take it. ... The toughest thing about success is that you've got to keep on being a success. ... After you get what you want you don't want it. ... Listen kid, take my advice, never hate a song that has sold half a million copies. ... The song is ended, but as the songwriter wrote, the melody lingers on.
There's nothing prettier in the world than a melody. I can get lost in a song with a melody. A lot of times I have, and the song wasn't that good, but I would get lost in that melody, and I'd want to do the song.
The melody and the structure of a song always comes first for me, so the emotions behind it can sometimes be a challenge: What am I feeling about this song? Where did the melody come from? I want it to be heartfelt.
I don't really have a set-in-stone process or formula. Sometimes the melody is there and I have to chase down the lyrics. Sometimes, the song is there and I have to make the melody fit. What I've learned so far about songwriting is that I can't force a song. If I try to do that, it's hollow, and people know a hollow song when they hear it. It's the song they stop listening to and forget about. I'd prefer not to write those kinds of songs.
When I start to write a song, I have the words and I have the melody, and then it's just a matter of making it to the end. I think if I have something that I could identify as a talent, it would be that I can finish a song. I kind of know intuitively where the melody should go.
Sometimes melody and sometimes lyrics. It depends on the tempo and feel of the song. Slower pieces usually begin with melody and faster ones with lyrics. I write for the song and it leads me to my conclusion.
I've always felt that the game itself is pretty much a melody and I am there to provide the lyrics. You want the lyrics to match the melody, because if you are composing a song or recording a song, it's cacophonous if they don't match.
There's nothing prettier in the world than a melody. I can get lost in a song with a melody.
In Hungary all native music, in its origin, is divided naturally into melody destined for song or melody for the dance.
I think the melody is the first time I hear in a song and if I like the melody, then I'll pay closer attention to the lyrics.
If the melody is telling me this is what the song is about, then I'm sort of forced into confession, autobiography or fantasy. If I don't do that, I've hamstrung the melody.
When I write a song, I get the melody right first, and then hopefully I can back it up with a lyric that has to respect the melody.
I knew a lot of chords, but they weren't the chords that came with the melody that came with the idea I had for the song. Melodies are simple things. If you see a train wreck, there's a melody. If you see a little daisy blowing in the breeze, there's a melody.
I used to be just a total jazz freak. People used to say, 'Where's the melody? Is there a melody in there anywhere?' Now I let the music follow the song.
Luckily, like for instance the song "Suicide Dream 1," I wrote it out of such an incredibly powerful state that the melody carries that affect. So when I produce that affect, that melody, with my body, I'm immediately thrown into it.
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